17th Century Art
Hendrick Avercamp (1585-1634), Winterlandschap met schaatsers, 1608
Govert Flinck, Rembrandt als herder met staf en fluit, 1636
Ferdinand Bol, Portret van Elisabeth Bas, ca. 1642, olieverf op doekm 118 c 91.5 cm, Rijksmuseum, Amsterdam. Biografie Bol: www.artsalonholla...
Gerard Dou, Portret van een oude lezende vrouw, ca. 1630-35, olieverf op paneel, 71 x 55.5 cm, Rijksmuseum, Amsterdam.
The Lovesick Maiden Jan Steen (Dutch, Leiden 1626–1679 Leiden) Date: ca. 1660 Medium: Oil on canvas Dimensions: 34 x 39 in. (86.4 x 99.1 cm) Classification: Paintings Credit Line: Bequest of Helen Swift Neilson, 1945 Accession Number: 46.13.2
Kongo nobleman in Kongo-Portuguese dress, by Albert Eckhout- 17th century
"Lady Frances Cavendish, Lady Maynard", attr. Marcus Gheeraerts the younger, ca. 1612; NT 1129107
1670 Dudleia Cullum, née North, Lady Cullum by Sir Peter Lely. Daughter of Sir Henry North, 1st Baronet, and Sarah Rayney. Married Sir Thomas Cullum, 2nd Bt., in 1656. Neither of their two sons left descendants, but her brother Peregrine was an ancestor of the Sir Charles Bunbury who married Lady Sarah Lennox of the famous Lennox sisters.
1670 Dudleia Cullum, née North, Lady Cullum by Sir Peter Lely
Sophia of the Palatinate, more commonly referred to as Sophia of Hanover, was born October 14,1630. She was the eldest surviving child of Elizabeth of Bohemia, daughter of James I. Sophia of Hanover was the only suitable choice as heir to the British throne and was made heiress presumptive by parliament in 1701. Only a Protestant could take the throne since Queen Mary died without children; Queen Anne’s children did not survive past infancy. Thus, Princess Sophia started the Hanoverian line.
Anatomia per uso et intelligenza del disegno ricercata... Bernardino Genga and Charles Errard 1691 "The association between death and anatomy continued in art anatomy, even as it waned in medical texts. Genga, a Roman anatomist, specialized in studies of classical sculptures. Errard, court painter to Louis XIV, helped found the Académie Royale de Peinture and was first Director of the Académie de France in Rome."
Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid) Date: ca. 1635 Medium: Oil on canvas Dimensions: 50 1/4 x 41 in. (127.6 x 104.1 cm) Classification: Paintings Credit Line: Fletcher Fund, 1952 Accession Number: 52.125
A Maid Asleep Johannes Vermeer (Dutch, Delft 1632–1675 Delft) Date: 1656–57 Medium: Oil on canvas Dimensions: 34 1/2 x 30 1/8 in. (87.6 x 76.5 cm) Classification: Paintings Credit Line: Bequest of Benjamin Altman, 1913 Accession Number: 14.40.611
James Stuart (1612–1655), Duke of Richmond and Lennox Anthony van Dyck (Flemish, Antwerp 1599–1641 London) Date: ca. 1634–35 Medium: Oil on canvas Dimensions: 85 x 50 1/4 in. (215.9 x 127.6 cm) Classification: Paintings Credit Line: Marquand Collection, Gift of Henry G. Marquand, 1889 Accession Number: 89.15.16
The Lute Player Valentin de Boulogne (French, 1591–1632) Date: ca. 1626 Medium: Oil on canvas Dimensions: 50 1/2 x 39 in. (128.3 x 99.1 cm) Classification: Paintings Credit Line: Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund; funds from various donors; Acquisitions Fund; James and Diane Burke and Mr. and Mrs. Mark Fisch Gifts; Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest, 2008 Accession Number: 2008.459