Film and Stage
Federico Fellini and wife, Giulietta Masina on set: La Strada (1954).
Farewell, My Queen follows one of Marie Antoinette's young readers, Sidonie Laborde, who is shadowed by Madame Campan.
Pierrot Le Fou. 1965. Godard.
“At times the world can seem an unfriendly and sinister place, but believe us when we say that there is much more good in it than bad. All you have to do is look hard enough. And what might seem to be a series of unfortunate events may, in fact, be the first steps of a journey.” -Lemony Snicket’s A Series of Unfortunate Events
Atonement: Dearest Cecilia, the story can resume. The one I had been planning on that evening walk. I can become again the man who once crossed the surrey park at dusk, in my best suit, swaggering on the promise of life. The man who, with the clarity of passion, made love to you in the library. The story can resume. I will return. Find you, love you, marry you and live without shame.
Jean Claude Brialy and Anna Karina on the set of Jean-Luc Godard’s Une femme est une femme (1961)