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More like this: serge lutens, fragrance and perfume.

Fragrant Beauties

#Perfumery Restrictions: Doom or Boom? Act now with a #petition to save perfumery from impending changes. Consult link (spam free, privacy ensured) www.perfumeshrine...

Teo Cabanel Barkhane: amber through gauze veil. Perfume review www.perfumeshrine...

Parfumerie Generale Isparta 26: notes on a rose poised between chypre & oriental www.perfumeshrine...

Guerlain Limon Verde fresh tonic lime goodness for spring & summer (www.perfumeshrine...)

Special giveaway for perfume-atomizer-cum-Swarovski-pen on Perfume Shrine courtesy of Tijon Lab & Boutique Comment to participate till February 12th midnight: www.perfumeshrine...

PerfumeShrine #Calyx by Prescriptives (distributed by Clinique now) #Fragrance review & history perfumeshrine.blo...

Minoan Sea Daffodils Late Bronze age painted some time before 1630 BC Akrotiri, Thera

In this wall fresco from Akrotiri on Santorini, two women are shown in a field of crocuses. The older woman is gathering the stamens of flowers and placing them in a basket. The younger woman has a partially shaven head, and is gathering stamens with both hands. Saffron is derived from the stamens and has been used as a dye since antiquity. Saffron was used to dye robes and saffron robes appear frequently in the wall frescoes. In classical Greece, saffron was a symbol of wealth and power.

Guerlain Eau Imperiale 160 ans anniversaire Limited edition #perfume #fragrance perfumeshrine.blo...

Guerlain Cour des Senteurs Versailles commemorative perfume edition perfumeshrine.blo...

Karen Gilbert Reveals a Fragrance Anecdote from her days at IFF perfumeshrine.blo...

PerfumeShrine: "Genie Blue with Stopper Red, Hooved it Twice and Then it Bled" The story of the design of Cacharel Loulou bottle: part of Optical Scentsibilities articles on PerfumeShrine.com perfumeshrine.blo...

Perfume Shrine: Best Foodie, Succulent, Dessert-Like Creamy #Vanilla #Perfumes (Vanilla Series) perfumeshrine.blo...

PerfumeShrine.com: Perfume Use in the Middle Ages and the Renaissance: myths and truths