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Revered as the master of lifelike portraits and Caravaggio is being touted as the first master of photographic technique, two centuries before the formal invention of the camera. He has long been suspected of turning his studio into a giant camera obscura, punching a hole in the ceiling to project images on to his canvas. Research claims that Caravaggio used chemicals to turn canvases into primitive photographic film, "burning" images he sketched for works such as St Matthew and the Angel.