Also on these boards
Bone Structure of the Human Neck and Shoulder, Facsimile Copy Giclee Print
Page: Anatomical studies of the shoulder Artist: Leonardo da Vinci Completion Date: c.1510 Place of Creation: Milan, Italy Style: High Renaissance Genre: sketch Technique: chalk, ink Material: paper Dimensions: 28.9 x 19.9 cm Gallery: The Royal Collection, Windsor-Castle, Windsor, UK Tags: human-anatomy, parts-of-human-body
Page: Study of hands Artist: Leonardo da Vinci Completion Date: c.1474 Place of Creation: Milan, Italy Style: Early Renaissance Genre: sketch Technique: metalpoint, ink Material: paper Dimensions: 21.4 x 15 cm Gallery: The Royal Collection, Windsor-Castle, Windsor, UK Tags: parts-of-human-body
Study for the Face of the Virgin Mary of the Annunciation - Leonardo da Vinci (seen at the Louvre, Paris)
Prevalent in the major works of Leonardo Da Vinci and underlying many of his design compositions, is the phi relationship (also known as the Golden Ratio or the Golden Mean), a ratio of approximately 1:1.618, found in nature and creation, and inherent in the Fibonacci sequence. The Golden Rectangle, the Golden Triangle, and the Golden Pyramid, all based on the Golden Ratio are all appear prominent in the work of Leonardo Da Vinci. He referred to the Golden Ratio as the "divine proportion".