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Top and Tail, anonymous (ascribed to Miss Heel), British, 1777.

Antoine-Laurent Lavoisier (1743–1794) and His Wife (Marie-Anne-Pierrette Paulze, 1758–1836)

"Empress Elizabeth Alexejevna," by Jean Laurent Mosnier 1807

Portrait of Francesco Benaglio, 1757, by Pompeo Batoni, Treviso, Museo Diocesano di Arte Sacra

Portrait of a Cardinal (Probably Cardinal Don Fernando Niño de Guevara (1541–1609)), ca. 1600, oil on canvas, Greek

"Maria Luisa of Parma (1751–1819), Later Queen of Spain", Laurent Pécheux, 1765; MMA 26.260.9

Maria Feodorovna by Alexander Roslin (1777)

Prevalent in the major works of Leonardo Da Vinci and underlying many of his design compositions, is the phi relationship (also known as the Golden Ratio or the Golden Mean), a ratio of approximately 1:1.618, found in nature and creation, and inherent in the Fibonacci sequence. The Golden Rectangle, the Golden Triangle, and the Golden Pyramid, all based on the Golden Ratio are all appear prominent in the work of Leonardo Da Vinci. He referred to the Golden Ratio as the "divine proportion".