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Mom and Pop: August 1937. "Storekeeper and wife in front of their store at Section 30. 'Bust' iron mining town near Winton, Minnesota." Medium format nitrate negative by Russell Lee

Rear Window: July 1938. "Slums in Pittsburgh, Pennsylvania." 35mm nitrate negative by Arthur Rothstein for the Farm Security Administration. Click to view full size.

Dishpan Hans: September 1937. Effie, Minnesota. "Washing dishes in lumber camp." Medium format negative by Russell Lee

Texas Tomatoes: March 1939. San Antonio, Texas. "Wives of vegetable peddlers sometimes accompany their husbands to the early morning market." Medium format negative by Russell Lee for the Farm Security Administration.

A Tehama Home Companion: November 1940. Tehama County, California. John Frost and his daughter listening to the radio in their home. Medium format safety negative by Russell Lee for the Farm Security Administration.

House Without Windows: May 1938. New Madrid County, Missouri. "House without windows. Home of sharecropper cut-over farmers of Mississippi bottoms." 35mm nitrate negative by Russell Lee for the Farm Security Administration.

Dark Room: May 1938. New Madrid County, Missouri. "Interior of house without windows, home of sharecropper, cut-over farmer of Mississippi bottoms." 35mm nitrate negative by Russell Lee for the Farm Security Administration.

Elm Grove: August 1936. Elm Grove, Oklahoma County, Oklahoma. Medium-format nitrate negative by Dorothea Lange for the Farm Security Administration.

Near Earle: July 1936. "Negro women near Earle, Arkansas." Medium-format nitrate negative by Dorothea Lange

Dilapidated: July 1936. Washington, Pennsylvania. Old age. Medium-format nitrate negative by Dorothea Lange for the Farm Security Administration.

Circa 1939. "Post Office in Convent, Louisiana." 35mm nitrate negative by John Vachon for the Farm Security Administration Shorpy Historical Photo Archive

July 1937. Louisiana. Medium-format nitrate negative and caption by Dorothea Lange for the Farm Security Administration. "I'd be hard pressed to name a favorite among Lange's work, but this would be near the top. I love the reflected light on the woman's face, the few beads of sweat, the wonderful textures of the hat and the umbrella."