Holman Hunt's Christ in the House of his Parents. Charles Dickens called it "degenerate". www.tate.org.uk/...
Think you know the Pre-Raphaelites? | Tate
Designed by Sir Edward Burne-Jones (British, 1833–1898). Head of a Woman, before 1923. The Metropolitan Museum of Art, New York. Purchase, Edward C. Moore Jr. Gift, 1923 (23.163.3) |See this lady by Sir Edward Burne-Jones in “The Pre-Raphaelite Legacy,” on view through October 26. #tapestrytuesday
Fashion collector and designer Tracy Bellaries discusses how the work of the Pre-Raphaelites influences her own craft.
Miniature furniture. These tiny pieces are made at 12th scale and were at the recent Late at Tate Pre-Raph special - we love them.
Etsy say: "We’re huge fans of the Tate Britain" - Lovely Pre-Raph blog just posted on the Etsy homepage
Hands up who wants a wardrobe like this?! This is Edward Coley Burne-Jones' beautiful 'The Prioress’s Tale Wardrobe'
Pre-Raphaelites: Victorian Avant-Garde | Tate
Illustrator and theatrical designer Elizabeth E. Schuch of Immortal Longings discusses how the work of the Pre-Raphaelites influences her own craft.
Laura Bailey looks at Rosetti's Lady Lilith and how the Pre-Raphaelites have influenced contemporary fashion photography.
How does William Morris influence your work today? Artist metal-worker Sharon Dickinson of Archives Crafts blogs for us on his beautiful Kelmscott Chaucer: www.tate.org.uk/...
Late at Tate Britain: December 2012 | Tate
See William Morris' beautiful bed close-up. His daughter May Morris and wife Jane Morris made the detailed bed cover - an amazing example the Morris family craftsmanship!
Karen Elson compares her own experience of modelling with that of Pre-Raphaelite muse Elizabeth Siddal, Millais's long-suffering model for 'Ophelia'.
We've teamed up with @EtsyUK to see what designer/makers think about the show. This week, it's textile printmaker Sahara Dalley on this amazing William Morris Cray Textile 1883-4. www.tate.org.uk/...
Pre-Raph video! Karen Elson compares her own experience of modelling with that of Pre-Raphaelite muse Elizabeth Siddal, Millais's long-suffering model for 'Ophelia'.
Here is the Rossetti family plot in Highgate Cemetery. Hear what model Daisy Lowe has to say about being part of a creative family: www.tate.org.uk/...
Find out more about the models and muses for Rossetti, including this image The Wedding of St George and Princess Sabra 1857 where Lizzie Siddal clutches a vial - a reference to her laudanum addiction... Lucinda Hawkesly gives us an insight: www.tate.org.uk/...
Discovering Rossetti’s Women | Tate
Karen Elson came in to tell us about her thoughts on Lizzie Siddall and the Art of the Muse. See the video: www.tate.org.uk/...