Handwriting/Lettering Max Goldt's L'Eglise des Crocodiles
Watch this quick demo of pointed pen Copperplate. Notice, Hamid is lettering this without letting his hand touch the paper (or it will smudge). He is working at a very large size, as well. By exerting pressure on the flexible nib, he gets thick lines, by releasing, and barely touching the paper, he gets extremely thin "hairlines." This takes a great deal of control.
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