Historical Clothing 1700's
Historical Clothing 1700's
- 983 Pins
Evening Dresses, Gowns Dresses, Dresses Fashion, 18Thcentury, Evening Gowns, Colors Schemes, Day Dresses, 18Th Century, 1700 S
18th century evening gown from Colonial Williamsburg - I'm fascinated by the colour combination here, and I wish that I knew more about its provenance.
18th century. Green and purple -great color scheme!
Day dress, c.1874
18th century dress. #Georgian #clothing #dress #fashion #1700s #purple
Detail of an evening gown. #ColonialWilliamsburg #gown #dress #history #women #clothing
Robe, 1795-1800. Blue-green silk damask with floral motifs, linen lining.
1700 1800, Historical Fashion, Historical Clothing, 1700S, Historical Costumes, 18Th Century, 1790 1800, Directoire, Vans Kleding
1795 - 1800 Looks to be an earlier 18th century gown remade in a later fashion, from the look of the fabric ...
Het vermaken van kleding, zoals deze jurk, was in de 18e en 19e eeuw ook nog in welgestelde kringen gebruikelijk. - - - Entertaining clothes like this dress , it was in the 18th and 19th centuries also in affluent circles usual.
Isabella MacTavish’s Wedding Dress c1785. Fraser clan tartan. Inverness Museum. The cloth itself is probably considerably older than the dress, and possibly dates to 1740 - 1760. Women -- Clothing & dress -- 1700-1799 -- Scotland. 18th century Scottish costume. Worn continuously by the women of the family for wedding until 2007
Art Gallery, Wedding Dressses, Dresses, 18Th Century, Inverness Museums, 1785, Scottish Wedding, Tartan Dress, Fraser
Isabella Fraser’s Wedding Dress c. 1785, Amongst the displays at the Inverness Museum & Art Gallery is a fine example of a tartan wedding dress from the latter half of the 18th century. The dress was worn at, and probably made for, the wedding of Isabella MacTavish to Malcolm Fraser, both from Stratherrick, in 1785. http://www.scottishtartans.co.uk/Isabella_Fraser_-_Wedding_Dress_c1785.pdf
Scottish wedding dress 1785
1785 Fraser tartan dress from the Inverness Museum
Sleeve, ruche, and three tired lace ruffles detail from François Hubert Drouais' 1757 painting of the French actress Madame Charles Simon Favart (Marie Justine Benoîte Duronceray). See full length painting here: pinterest.com/...
Justin Benoît, Dresses Details, Fashion History, Françoishubert Drouais, François Hubert Drouais, Art, Mary Antoinette, French Actresses, Benoît Duronceray
Detail from François Hubert Drouais’ #1757 #painting of the French actress Madame Charles Simon Favart (Marie Justine Benoîte Duronceray) #art #blue #bleu #costume #fashion #history
François Hubert Drouais | Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)
1750-1790 ? American Duchess: V152: Costume Analytics: Pehr Hilleström, Kitchen Maid
Pehr Hilleström, Historical Outfit, Century Bedgown, 18Thcentury, Costumes Analytics, Maid Outfit, Kitchens Maid, Historical Fashion, 18Th Century
Gown worn by Deborah Sampson, from Massachusetts, 1780-90 (plate-printed linen)
Wedding Dressses, Deborah Sampson, 18Thcentury, New England, Historical Fashion, Day Dresses, 18Th Century, Prints Linens, Floral Pattern
Anne - Day Dress
Gown, blue floral pattern on cream ground. Copperplate printed linen. Worn by Deborah Sampson, possibly as her wedding dress. 1760-90 - Historic New England 189811
One of the oldest gowns in the collection is this 1775 Robe à l’Anglaise, the name means it is an English-styled gown. It has a full skirt, and ‘robe’ that closes in the front but is open over the skirt. The back of the bodice comes to a point and is sewn into the skirt.
1775 1780, Polonaise Robe, Historical Fashion, Historical Clothing, Pink Silk, 18Th Century, 1700, Texas Tech University, Silk Polonaise
Pink Silk Polonaise Robe, 1775-1780, E Museum of Texas Tech University
Posts about 1700s on Ethnology and Textiles Blog
A gentleman's embroidered green velvet court coat and matching ivory satin waistcoat, French, circa 1790, heavily embellished with floss silk flowerheads and foliage; together with a pair of later black satin breeches (3)
A gentleman's embroidered green velvet court coat and : Lot 29
18th Century period Ball Gowns designed by Linda Leyendocker Gutierrez and Niti Volpe for the Society of Martha Washington Colonial Pageant and Ball in Laredo, Texas
17Th Century Dresses, 17Th Century Gowns, Dresses Design, Colonial Dresses, 17Th Century Ball Gowns, 18Th Century, Old Fashion Ball Gowns, Century Periodic, Beautiful Clothing
pamokc: In the Texas Panhandle …
Riding Jacket, 1736-40, Gorgeous Georgians at Berrington Hall 2014. From the Charles Paget Wade Collection stored at Berrington Hall
Collection Stores, Charles Paget, Berrington Hall, Wade Collection, Hall 2014, 1736 Partial View, 18Th Century, Gorgeous Georgian, Riding Jackets
A little taste of the feast to come...
The natural hair, dressed up in the back in a queue, was often left unpowdered. In fact, powder for everyday wear was usually omitted as early as 1760, and went out of fashion in the nineties.
Caspian Archer, Late 18Th Century Mens Fashion, Everyday Wear, Men Hair Styles, It Was, Time Hairstyles, Century Dresses, American 18Th, Captain Caspian
men's hair styles, late 18th century
Colonial Clothing - Revolution and the New Republic 1775-1800
Robe a la francaise, 1770-80 From the Mint Museum. Brocade.
Fashion, La Francaise, Historical Costumes, Mint Museums, 18Th Century, Francaise 1770, 1700, 1770 1780, Met Museum
A beautiful raspberry juice hued robe a la francaise, 1770-80. Via the Mint Museum. Georgian fashion
1770-90 robe a la francaice a la polonaise, Met museum
Mint Museum: Robe a la Francaise 1770 - 1780
fripperiesandfobs: Robe a la francaise, 1770-80 From the Mint Museum -Love the color of this 18th century gown. Hell, I’d wear it no...
Gentleman Court, Embroidery Details, Men Coat, Dance Costumes, French Circa, Historical Vintage Clothing, 18Th Century, Circa 1790, Court Suits
Close up of A gentleman's court suit, French circa 1790. Mandarin jacket over a waistcoat. Wouldn't this make for a handsome Irish Dance costume?
Embroidery detail of men's coat and waistcoat.
Pierrot jacket and embroidered petticoat, Kyoto Costume Institute, c. 1780
16Th Century, 1780, Kyoto Costumes, Pierrot Jackets, Historical Costumes, Costumes Institution, Embroidered Petticoats, 18Th Century, 1700 S
Pierrot jacket and embroidered petticoat, Kyoto Costume Institute, c. 1780 This is one of my favorites from the Kyoto Costume Institute! This photo doesn't do it justice :-)
American Duchess:Historical Costuming: 8 Drool-Worthy 18th c. Dresses From the Kyoto Costume Institute | Historical Costuming and sewing of Rococo 18th century clothing, 16th century through 20th century, by designer Lauren Reeser - ummmm...what's on her head?
Robe à la Française 1730s The Metropolitan Museum of Art
18Thcentury, 1730S Fashion, Historical Clothing, Historical Fashion, 18Th Century, 1700, Met Museum, The Blasts, Metropolitan Museums
18th century dress via omgthatdress.tumblr.com
Rococo Period Dress (Robe à la Française) Date: 1730–40 Culture: European Medium: silk, metal Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Brooklyn Museum Collection
Robe à la Française 1730, Met Museum
1790s Red and White Striped Jacket 18th century by americanduchess pet en l'air
18Thcentury, 1790S Red
1790s Red and White Striped Jacket 18th century by americanduchess
18th century bergere hat
Shoes, Bergre Hats, Bergèr Hats, Colonial Hats, 1700S, Berger Hats, 18Th Century Hats, 1700 S
18th century bergre hat
Lilly - Hat and shoes
18th century bergère hat
This gown and matching stomacher are made of very fine silk. Because of its shine or lustre, the fabric was called a lustring or lutestring. The process of 'lustrating' involved stretching and moistening the textile. In a 1756 treatise, silk designers are advised that ornaments for lustring ‘must be open and airy’ so as not to obscure the glazed ground. 1752-1775
Ensemble. "This gown and matching stomacher are made of very fine silk. Because of its shine or lustre, the fabric was called a lustring or lutestring. The process of 'lustrating' involved stretching and moistening the textile. In a 1756 treatise, silk designers are advised that ornaments for lustring ‘must be open and airy’ so as not to obscure the glazed ground." (1752-1775) Museum of London. See detail next...