L’étoile montante, Peppy Miller (Bérénice Bejo à l’écran), à la recherche d’un rôle  Robe et minicape en mousseline brodée et sandales, Dior, cape en renard, Yves Salomon, bagues, Gucci.

L’étoile montante, Peppy Miller (Bérénice Bejo à l’écran), à la recherche d’un rôle Robe et minicape en mousseline brodée et sandales, Dior, cape en renard, Yves Salomon, bagues, Gucci.

World War II ~ In this and dozens of other, similar pictures made at New York's Penn Station in 1944, LIFE's Alfred Eisenstaedt captured a private moment repeated in public millions of times over the course of the war: a guy, a girl, a goodbye — and no assurance that he'll make it back. By war's end, more than 400,000 American troops had been killed.

World War II ~ In this and dozens of other, similar pictures made at New York's Penn Station in 1944, LIFE's Alfred Eisenstaedt captured a private moment repeated in public millions of times over the course of the war: a guy, a girl, a goodbye — and no assurance that he'll make it back. By war's end, more than 400,000 American troops had been killed.

I like the light in this photograph of a jazz musician because he is lit only from above. Liting people from above gives them a holy-quality. The smoke and reflection off of his saxaphone adds to the lighness of the picture.

I like the light in this photograph of a jazz musician because he is lit only from above. Liting people from above gives them a holy-quality. The smoke and reflection off of his saxaphone adds to the lighness of the picture.

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