Alyssa Syahmina

Alyssa Syahmina

Alyssa Syahmina
More ideas from Alyssa
Art Director of LIV-BCN 2015 branding. Screen print, risograph & digital press pack designed and printed by Isobel Seacombe and myself. Published: July 17, 2015 http://www.mr-graphic.co.uk/

Art Director of LIV-BCN 2015 branding. Display screen print risograph & electronic press p

Mixture of bright-color text and mono-channel graphics. weörs 100 #editorial #design #graphic

Mixture of bright-color text and mono-channel graphics. Potential creative direction - monochromatic graphics for a sense of the past and modern typography etc to signifies a more forward looking feel

Lighting tutorial on the differences the placement of lights has on the perception of character to audience.

LIGHTING DESIGN Lighting tutorial on the differences the placement of lights has on the perception of character to audience.

I try to pin ideas that your average high school might actually be able to reproduce, in detail or in concept. Here's one...The Crucible - Lillian Theatre Set Designer - Joel Daavid

I try to pin ideas that your average high school might actually be able to reproduce, in detail or in concept.The Crucible - Lillian Theatre Set Designer - Joel Daavid:

Copenhagen. Delaware Theater Company. Scenic design by Mimi Lien. 2009

SPACE: Emptiness, a lot of negative, barely filled. LIGHT: low source, creating silhouettes and long shadows.

Peter Brook directing. Brook's The Empty Space is an exploration of four aspects of theatre, 'Deadly, Holy, Rough and Immediate'. 'I can take any empty space and call it a bare stage'.

Brook's The Empty Space is an exploration of four aspects of theatre, 'Deadly, Holy, Rough and Immediate'. 'I can take any empty space and call it a bare stage'.