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Sleeping Embers of an Ordinary Mind: Paintings in the Novel

Here are the paintings and images that crop up in my novel. Chapter numbers are included.
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22 Pins
 26w
Collection by , and 3 others
Laura Cereta is a fifteenth-century Italian feminist and humanist. The title of my novel is taken from one of Cereta's letters. See the extract at the very beginning of the novel. Feminist Writers, Feminist Icons, Right To Education, Catherine Of Aragon, Mary Queen Of Scots, Free Mind, Brescia, Humanist, Dangerous Woman
Laura Cereta is a fifteenth-century Italian feminist and humanist. The title of my novel is taken from one of Cereta's letters. See the extract at the very beginning of the novel.
Humanist minuscule. A style of script introduced in Italy at the start of the fifteenth century. Easier to read than the more angular northern scripts, which abbreviated many words. Chapter 15. History Of Calligraphy, Calligraphy Artist, Calligraphy Styles, Calligraphy Alphabet, Calligraphy Letters, Modern Calligraphy, Script Lettering, Calligraphy Tutorial, Book Of Kells
Humanist minuscule. A style of script introduced in Italy at the start of the fifteenth century. Easier to read than the more angular northern scripts, which abbreviated many words. Chapter 15.
Nardo di Cione: Paradise, 1360, Strozzi Chapel, Florence. Chapter 6 Nardo, Tempera, Fresco, Florence, Santa Maria Novella, Uffizi Gallery, Rimini, Italian Art, Mural Painting
Nardo di Cione: Paradise, 1360, Strozzi Chapel, Florence. Chapter 6
Paolo Uccello, The Battle of San Romano, 1438-40. The National Gallery, London. Multiple chapters! Italian Renaissance Art, Renaissance Artists, Renaissance Paintings, Painted Horses, Giorgio Vasari, National Gallery, Equestrian Art, Great Paintings
Paolo Uccello, The Battle of San Romano, 1438-40. The National Gallery, London. Multiple chapters!
Paul Nash: The Ypres Salient at Night (based on one of his 50 Drawings of Muddy Places), 1919. Chapter 2 World War One, First World, Nocturne, Art Ww1, John Nash, Ypres, Art Gallery, English Artists
Paul Nash: The Ypres Salient at Night (based on one of his 50 Drawings of Muddy Places), 1919. Chapter 2
Paolo Uccello: The Flood (and Recession of the Flood), 1447. Church of Santa Maria Novella, Florence. Chapter 3. Fra Angelico, Noah Story, Web Gallery Of Art, Jan Van Eyck, Perspective Art, European Paintings
Paolo Uccello: The Flood (and Recession of the Flood), 1447. Church of Santa Maria Novella, Florence. Chapter 3.
Saint George and the Dragon, 1430-35. Jacquemart-Ándre Museum. Chapter 3 Medieval Paintings, Renaissance Art, George & Dragon, Saint George And The Dragon, Saint Georges, Art Sacre, Dragon Slayer, St. George
Saint George and the Dragon, 1430-35. Jacquemart-Ándre Museum. Chapter 3
Donatello: Miracle of the Penitent Son, 1447-50. Basilica of Sant'Antonio. Chapter 3 San Antonio, Art Ninja, Gian Lorenzo Bernini, Italian Sculptors, Donatello
Donatello: Miracle of the Penitent Son, 1447-50. Basilica of Sant'Antonio. Chapter 3
Émile Bernard: Breton Women in the Meadow, 1888. Chapter 4 Maurice Denis, Paul Gauguin, Artist Birthday, Art Criticism, Paul Cézanne, Art Classique, Georges Seurat, 19th Century Art, Impressionism Art
Émile Bernard: Breton Women in the Meadow, 1888. Chapter 4
Paul Gauguin: Vision After the Sermon, 1888. Scottish National Gallery.  Chapter 4 Henri Matisse, Eugène Henri Paul Gauguin, Paul Cezanne, Kunst Online, Online Art, Buy Online, Impressionist Artists
Paul Gauguin: Vision After the Sermon, 1888. Scottish National Gallery. Chapter 4
Paul Gauguin: Christ in the Garden of Olives, 1889. Chapter 4 National Gallery Of Art, Pierre Auguste Renoir, Edouard Manet, Mark Rothko, Gustav Klimt
Paul Gauguin: Christ in the Garden of Olives, 1889. Chapter 4
Émile Bernard: Christ in the Garden of Olives, 1889. Chapter 4 Van Gogh Museum, Post Impressionism, Chapter, Novels, Bernard, Olives, Ordinary, Christ, Paintings
Émile Bernard: Christ in the Garden of Olives, 1889. Chapter 4
Paul Gauguin: Te Tamari No Atua, 1896. Neue Pinakothek Museum. Chapter 4 Painting Prints, Canvas Painting, Canvas Prints, Art Print, Oil Painting, Print Paper
Paul Gauguin: Te Tamari No Atua, 1896. Neue Pinakothek Museum. Chapter 4
Antonello da Messina, The Virgin Annunciate, 1476. Chapter 10 Renaissance Kunst, Die Renaissance, Caravaggio, Italian Painters, Italian Artist, Musée Du Prado, Hieronymus Bosch
Antonello da Messina, The Virgin Annunciate, 1476. Chapter 10
Paolo Uccello: A scene from his Corpus Domini predella in Urbino. 1465-68. Chapter 12 A4 Poster, Poster Prints, Lorenzo Ghiberti, Galerie D'art En Ligne, Urbino
Paolo Uccello: A scene from his Corpus Domini predella in Urbino. 1465-68. Chapter 12
Paolo Uccello: The Hunt in the Forest, 1467, Ashmolean Museum. Chapter 12. Italian Paintings, Canvas Art, Mural, Rene Magritte, Oil Painting Reproductions, Commission Art
Paolo Uccello: The Hunt in the Forest, 1467, Ashmolean Museum. Chapter 12.
Piero di Cosimo: The Fight between the Lapiths and the Centaurs 1500-15, The National Gallery, London. Chapter 14 Metamorphosis Book, Female Centaur, Haute Renaissance, Ovid Metamorphoses, Art Ancien, Western Paintings, Satyr, Art Database
Piero di Cosimo: The Fight between the Lapiths and the Centaurs 1500-15, The National Gallery, London. Chapter 14
Andy Warhol: Paolo Uccello, St. George and the Dragon 1460 from the series Details of Renaissance Paintings. 1984. Chapter 14 Andy Warhol Pop Art, Art Event, High Art, Modern Art, Screen Printing, Moose Art
Andy Warhol: Paolo Uccello, St. George and the Dragon 1460 from the series Details of Renaissance Paintings. 1984. Chapter 14
Paolo Uccello: Saint George and the Dragon, 1470, The National Gallery, London. Chapter 14 Moritz Von Schwind, Dragon C
Paolo Uccello: Saint George and the Dragon, 1470, The National Gallery, London. Chapter 14
The Loss of the Mary Stanford Lifeboat, Winchelsea Church. Chapter 16 Lifeboats, Chapter 16, Arts And Crafts Movement, Stanford, Eiffel Tower Inside, Mary, Loss
The Loss of the Mary Stanford Lifeboat, Winchelsea Church. Chapter 16