• 149 Pins

Vlisco Textile Company | batik block printing | The Netherlands

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HGTV Shoot at Cutting Edge Stencils’ Studio « Stencil Stories

Marthe Armitage - Wallpaper -The blocks ‘last for ever,’ and she is still printing from them today. A hundred year old lithographic proofing press made things easier and the garage at the bottom of the garden became her studio.

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large scale printing in my studio!

Textile Design Studio: Wippowillow -

great blog. all about printmaking


Gyotaku is a unique form of printing that uses freshly caught fish, plants and other aquatic life, to create realistic imprints on cloth or paper.

The Boy’s Almanac » The Art of Fish Preservation: Gyotaku

Piper Shepard, she takes graphite coated muslin and cuts out her designs BY HAND! It makes these insanely beautiful lace like textiles.

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The Beautiful Complexity of Nature Bryan Nash Gill inspiration

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Plaster Printing

nontoxicprint | Nontoxic Printmaking, Safe Painting & Printed Art

Woodcut Printmaking: DIY Bench Hook - For Woodcut or Linocut - YouTube

Woodcut Printmaking: DIY Bench Hook - For Woodcut or Linocut

Doing a bit of recycling at the studio. Turning a cardboard carton into a #reliefprinting plate. The coated, shiny exterior of the carton means it is waterproof enough so the ink doesn’t sink into it #printmaking #ShadwellPrintStudio #EastLondon (at Shadwell Centre)


Wes Mills lithography

Wes Mills | The Nevica Project

Marianne Dages, To Recount Their Dreams

To Recount Their Dreams, 2013

Astrid Bowlby

Gallery Joe

TARA DONOVAN Untitled, 2006 relief print from rubber band matrix 38.5” x 26”


Hiroshi Yoshida - Niagra Falls, Japanese Style Woodblock Print

other, imminent | vjeranski: Hiroshi Yoshida Niagara Falls 1925


All Things Beautiful — glovaskicom: Schoolyard #9, oil transfer...
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artisan block printing in Bagru village near Jaipur

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Marthe Armitage

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cameron short

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Hands, Posts, Prints

flotsamflotsam (Sol LeWitt, W, 1995, relief print on hand dyed,...)

soft ground

Applying Ball Hard and Soft Ground - Etching Tutorial - Wretched Etching

Balance, Printmaking, Posts, Plaster, Graphics

vjeranski | Joe Morris Substrata Carved Tadelakt Plaster on...


Art Print Residence (Jacqueline Aust work in progress Engraving on...)

mapping the minus artprintresidence: (via Jacqueline Aust working with carborundum plates)  Dry point and carborundum on plastic plate

Art Print Residence ((via Jacqueline Aust working with carborundum...)

cavetocanvas: Christopher Wool, Untitled (H.H.), 2003

Bonnie Levinthal

Printmaking, Triangles, Posts

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Eva Isaksen

Eva Isaksen - Printmaker and Collage Artist - Seattle WA

Amy Sillman – O & N , 2007 Color sugar lift and spit bite aquatints with soft ground etching Paper Size: 35 x 28" Edition 20

O & N | Crown Point Press

Christopher Le Brun PRA ‘[no title]’, 1990 © Christopher Le Brun

'[no title]', Christopher Le Brun PRA | Tate

nancy spero, may be a print

OT by Nancy Spero

Karen L. Brown. Taki 6, mixed media printmaking inkspotsventura.b...

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Little Blue House Collagraph Print on Wood by Fiona Wilson.

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Loch Garve | Norman Ackroyd

Scotland / North of Loch Ness | Norman Ackroyd

Norman Ackroyd

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Norman Ackroyd: Blasket, County Kerry

Ireland / Galway Bay to Cork City | Norman Ackroyd

To and Fro by Ainsley Hillard, represented by Ruthin Craft Centre

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In an age of digital image production, printmakers using traditional methods are forced to re-evaluate the merit of their craft, and whether it transcends the efficiency of new media. The mezzotints of Masataka Kuroyanagi are a testament to handcraft, commenting on the nature of time through dialogue between their production and visual content.

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collograph plate

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Victoria Burge. Coding the Spaces

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How to Make a Mushroom Spore Print -- via

How to Make a Mushroom Spore Print

Mushroom spore print by Lynn Corsi Bland. As with the fish print above, this mushroom spore print illustrates the beautiful intricacies – and also abstract pattern making – that can be achieved through the printing of found natural and manmade objects.

Beyond the Brush: Inventive Use of Media for Painting Students

Starry Way (spit bite) 50x70cm etching and collagraph on BFK Rives paper

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Printing till exhaustion (1979) by Dora Maurer

Király Judit: Maurer Dóra munkásságának matematikai vonatkozásai

The pattern naturally appeared on the etching print insert paper for over 20 years/ mono type print 1994-2014 林孝彦 HAYASHI Takahiko

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Uploaded by user

Mark Goodwin

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Tara Donovan Untitled (Rubber Bands), 2006 Relief print from rubber bands matrix

Artwork Details: Untitled (Rubber Bands)

repeat block lino printed fabric - #textile

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