Some of my encaustic paintings this past year are very textured. I’ve been playing with building up layer upon layer of encaustic medium. Here’s a description of the technique I use. begin with a base of a few layers of…Read more ›

Some of my encaustic paintings this past year are very textured. I’ve been playing with building up layer upon layer of encaustic medium. Here’s a description of the technique I use. begin with a base of a few layers of…Read more ›

London-based artist Rachel Dein of Tactile Studio has spent the last few years perfecting the art of plaster casting, an admittedly straightforward process of pressing objects into clay and then filling the voids with combinations of plaster and concrete. However Dein's time spent as a prop m

London-based artist Rachel Dein of Tactile Studio has spent the last few years perfecting the art of plaster casting, an admittedly straightforward process of pressing objects into clay and then filling the voids with combinations of plaster and concrete. However Dein's time spent as a prop m

This tile is one of a series from Rachel Deins Tactile Studio. To make the tile, Rachel laid flowers and foliage on to a rolled-out slab of clay

Carrot

This tile is one of a series from Rachel Deins Tactile Studio. To make the tile, Rachel laid flowers and foliage on to a rolled-out slab of clay

New Sculptures Online This Tuesday - carlabenjaminartist@gmail.com - Gmail

New Sculptures Online This Tuesday - carlabenjaminartist@gmail.com - Gmail

New Sculptures Online This Tuesday - carlabenjaminartist@gmail.com - Gmail

New Sculptures Online This Tuesday - carlabenjaminartist@gmail.com - Gmail

Dark Passage, 2012; waxed linen, copper, iron, 11 x 18 x 16 in.; Photo: Petronella Ytsma

Dark Passage, 2012; waxed linen, copper, iron, 11 x 18 x 16 in.; Photo: Petronella Ytsma

Daisy Craddock’s Pastel Drawings: If Landscapes Could Talk

Daisy Craddock’s Pastel Drawings: If Landscapes Could Talk

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