sign up (free!)
1700s Womens Clothing
1700s Womens Clothing
- 607 Pins
Woman's riding waistcoat, silk and linen, c. 1775, probably British.
1775 1800 Riding, Riding Waistcoat, Waistcoat 1775, 1700S, Riding Habits, 1775 Riding, 1775 Culture, 1770S, 1700 S
Riding waistcoat Date: ca. 1775 Culture: probably British Medium: silk, linen Dimensions: Length at CB: 18 in. (45.7 cm) Credit Line: Mrs. Elisha W. Dyer Fund, 1981 Accession Number: 1981.14.2
Riding waistcoat, 1775
1775 British Riding waistcoat at the Metropolitan Museum of Art, New York - This would have been part of a woman's riding habit, which was often inspired by masculine dress.
1775 Riding waistcoat
4th of July at the Allen House, NJ 2015, photo by Molly Picture Studio
Shoes, bag, garter recreation of 18th Century wardrobe items belonging to Marie-Antoinette by Isabelle de Borchgrave
Shoes, Fashion Places, Paper Dresses, Century Wardrobes, Flowers Power, 18Th Century, Fashion Looks, De Borchgrav, Bags
Isabelle De Borchgrave Paper Dresses | isabelle3
hampsteadjoni: Shoes, bag, garter recreation of 18th Century wardrobe items belonging to Marie-Antoinette by Isabelle de Borchgrave
loveisspeed.......: Flower Power...
Regency shoes with shoe guards for dirty streets
History, Fashion, Regency Shoes, 18Thcenturi Silk, Century Shoes, Shoes Protection, 18Th Century, Silk Shoes, Century Silk
18th century shoes with pattens
18th century silk shoes protected by pattens wsj
Regency shoes with shoe guards for dirty streets/-- it's shoes for your shoes!
Women were always slaves to high fashion.
chopines | The Pragmatic Costumer
Met Museum Deaccession 18th Century French Robe Polychrome Striped Silk Taffeta | eBay
1700 S Fashion, 1750 1775 Fashion, 1700 1800, 1700S Women, Authentic Costumes, Historical Costumes, Century Clothing, 18Th Century, Century Dresses
MET Museum Deaccession 18th Century French Robe~Polychrome Striped Silk Taffeta
Robe à la polonaise with Matching Petticoat: ca. 1780, French, striped silk taffeta. "The robe à la polonaise came to popularity in the 1770s. The skirt was held up by cords and divided into three panels of full drapes over the underskirt. In the late 18th century, following the trend toward simple clothing except for court dress, women's costumes also became more casual."
Fashion, 1780 S, 1780S, La Polonaise, Dresses, Kyoto Costume, 18Th Century, Woman Costumes, 1700 S
18th century fashion women | Robe à la Polonaise- Polish Dress (Around 1780)
c.1780-France. The robe à la polonaise. The Kyoto Costume Institute: "The skirt was held up by cords and divided into three panels of full drapes over the underskirt. .. following the trend toward simple clothing.... Most of the fabrics used to make dresses came to have a light texture. In addition, the orientation toward stripe patterns, which became popular among all classes of people, shows the same trend. Especially in the 1780s, just before the French Revolution,"
18th century Robe a la Polonaise. Distinguished but the shorter length and the three tiered design held up in the back of the garment. This design starting around the 1770's.This made from a yellow striped silk taffeta. Found at the Kyoto Costume Institute.
Detail of collections 1780s | KCI Digital Archives
Caraco 4th quarter 18th century, 1785-1790, Jacket- cotton printed white wooden board, Paris, Galliera Fashion Museum of the City of Paris - I've been working on block-printing textiles and I'm seriously considering trying this one this spring. It'll take a few blocks, but its worth it.
1780S, Prints Cotton, 1700S, Cotton Prints, The Cities, Blocks Prints Textiles, Galliera Fashion, Fashion Museums, 1785 1790
Hobbit dress idea! Caraco 4th quarter 18th century, 1785-1790, Jacket- cotton printed, Paris, Galliera Fashion Museum of the City of Paris.
Side view, caraco, France, 1785-1790. Block printed cotton.
Blog not found
American Linen Handkerchief, 18th Century, Plain weave in deep blue and natural-colored linen. Plaid design. Selvedge on both sides. Hemmed at both ends. Museum of Fine Arts, Boston
Tyrant, Handkerchief 51 1992, Century Museums, 18C Accessories, 51 1992 Mfa, Fine Art, Mfa Boston
A survivor. Handkerchief, 18c, 51.1992 MFA Boston.
Handkerchief (51.1992) American, 18th century Museum of Fine Arts, Boston I remember ironing my dad's hankerchiefs. This would have been a daily one not a dress hanky
Thomas Gainsborough (1727-1788) Conversation in a Park - Self Portrait with his wife Margaret 1746
Gainsborough 1727 1788, 1700 1750, 1727 1788 Converse, 1700S Women, Blue, 1740 1750, Art, Century Lady Fram, 18Th Century
A hint of blue - a glimpse of blue petticoat, a coy blue shoe -https://uk-mg42.mail.yahoo.com/neo/launch?.rand=58s0ouk6t99k5
It's About Time: Families In Gardens & Parks by Thomas Gainsborough (1727-1788)
Maria Amalia von Bayern (1701-1756) by ? (location unknown to gogm)
Bayern 1701 1756, Amalia Von, Riding Habits, 18Th Century, Princesses Amalia, Portraits, Von Bayern, Maria Amalia, Locations Unknown
Reinette: Riding Habits 1700-1770
Portrait of Maria Amalia von Bayern. 18th century.
Electoral Princess Amalia Maria Josepha of Bavaria BY Franz Joseph Winter
Delicate lace edge to fichu, white silk bows en échelle to stomacher, two tiered white lace ruffles (engageantes) to three quarter length sleeves, white lace edging to open robe a la Française of violet silk, two tiered white lace wide flounce to matching violet silk petticoat. Detail from portrait of Marie Louise Therese Victoire (Madame Victoire) by Adélaïde Labille-Guiard (Versailles), 1788.
Silk Petticoats, Lace Edge, Lace Ruffles, Violets Silk, Open Robes, Quarter Length, Lace Wide, Delicate Lace, Silk Bows
Detail of bust of Madame de Pompadour (1721–1764). Jean-Baptiste Pigalle (French, 1714–1785) White marble, completed in 1751, when Madame de Pompadour was twenty-seven years old. It was probably meant for her residence château de Bellevue, which was finished the same year. She chose the stone for the bust, a hard and brittle marble, with the intention of promoting the use of local French materials.
Madame de Pompadour (1721–1764) Jean-Baptiste Pigalle (French, 1714–1785) White marble bust completed in 1751 when Madame de Pompadour was twenty-seven years old. It was probably meant for her residence château de Bellevue, which was finished the same year. She chose the stone for the bust, a hard and brittle marble, with the intention of promoting the use of local French materials. This piece was the first to be made of the white marble from the newly discovered quarry of Sost in the French Pyrenees. Ιnscription on drapery: JAP (for Jeanne Antoinette Poisson) ©The Metropolitan Museum of Art.
Madame De Pompadour Hair, Hairstyles, 19Th Century, White Marbles, Posts, Jeans, 18Th Century, Metropolitan Museums, Historical Hairstyles
If only they had Pinterest in the 19th century
Detail of bust of Madame de Pompadour (1721–1764). Jean-Baptiste Pigalle (French, 1714–1785) White marble, completed in 1751, when Madame de Pompadour was twenty-seven years old. It was probably meant for her residence château de Bellevue, which was finished the same year. She chose the stone for the bust, a hard and brittle marble, with the intention of promoting the use of local French materials. À noter : les tresses de sa coiffure
A Woman, ca. 1764 (Joachim Martin Falbe) (1709-1782) Schloss Friedrichsfelde, Berlin
Martin Falb, Historical Portraits, Joachim Martin, Portraits 1710, Antoin Pesn, Eighteenth Century, 18Th Century Art, Portraits Galor, Unknown Lady
Joachim Martin Falbe (1709-1782) — Portrait of an Unknown Lady, c.1764 : The Schloss Friedrichsfelde, Berlin. Geermany (843×1024)
Antoine Pesne (1683-1757) — Portrait of an Unknown Lady, c. 1764 : The Schloss Friedrichsfelde, Berlin. Germany (843×1024)
Checked apron, no bib, pleated or gathered at the top, fabric continues around the waist to the back. The Tenant's Daughter. Haines and Son, London. 1798. Nice detail of shift sleeves.
Century Art, Historical Spindle, Art Spin, Prints 1700 1815, Spindle Spin, Drop Spindle, Century Paintings, Hands Spindle, Tenant Daughters
The Tenant's Daughter. Haines and Son, London. 1798. Drop spindle
It's About Time: 11/04/10
Fitting and Proper Round Gown
Robe à l'Anglaise, Pensnylvania/United States, c,. 1775-1780s. White and blue striped cotton. This gown is a rare surviving example of the type worn by servants and the lower classes, or by middle class women for informal wear.
Round Gowns, Dresses, Closebodi Roundgown, Cotton Plain, Gowns Robes, Stripes Cotton, 18Th Century, Woman Round, Plain Weaving
Woman's Round Gown (Robe à l'anglaise) made in West Chester Pennsylvania from plain weave striped cotton 1775-1780. Lovely example of less fancy dress in the 18th century. Philadelphia Museum of Art
Rococo Period Dress - Woman's Round Gown (Robe à l'anglaise) Made in West Chester, Pennsylvania, United States c. 1775-80s Artist/maker unknown, American Striped cotton plain weave.
Philadelphia Museum of Art - Collections Object : Woman's Round Gown (Robe à l'anglaise)
English or French, about 1790
Historical Fashion, Historical Clothing, 1700S, Fine Art, 1790 S, 18Th Century, Historical Dresses, Sleeve Dresses, 1700 S
1790's Dress and matching petticoat of blue and rose changeable, heavily ribbed silk; English back, with slight train; low cut neck trimmed with contemporary brocaded silk gauze ruffle; elbow length sleeves; dress closes in front of bodice; front lower edge of bodice trimmed with three tabs on each side; full, plain petticoat. Note: ruffle on underskirt is a reconstruction. From the collections of the Museum of Fine Arts Boston.
Dress in two parts English or French, late 18th century
Museum of Fine Arts, Boston
"Marius-system" silk umbrella, circa 1715, French school
Aprè 1715, 1700S Fashion, Century Accessories, 18Th Parasols, Century Clothing, 18Th Century, 18C Clothing, 1715 1799, 1715 1774 Sous
3rd quarter of the 18th century parasol
Parapluie système "Marius" © Philippe Ladet / Galliera / Roger-Viollet. Après 1715
"Marius-system" umbrella | Palais Galliera | Musée de la mode de la Ville de Paris
Jacket and shawl in chintz, skirt in glazed printed cotton, 1770-1800. MoMu - Fashion Museum Province of Antwerp
Costumes, Skirts, Prints Cotton, Glaze Prints, Indian Chintz, Century Indian, 18Th Century, 1700, Chintz Jackets
Dutch chintz costume assembled of several chintz fabrics for jacket and fichu. A late 18th century Indian chintz jacket and shawl, paired with a European skirt in glazed printed cotton.
Drawstring Bag, 1775 - 1800, American or European, silk, Width - 10-1/2 inches
Reticule, Search, American, 1775 1800, Regency Bags Reticul, Work Bags, Pockets Huswifes Purses, Drawstring Bags, Bags Drawstring
Bag (Drawstring) - 1775-1800
Drawstring bag. 1775-1800. American or European.
"Augusta Auctions closeup of embroidery on silk reticule" "18th C white silk satin, paper stiffened round base, polychrome sprig embroidery & tambour stitch leaf wreath around base, Ht 9.5", Wd 9.25",
Embroidery Tambour, Auction, Antique Vintage Purses, Accessories 1790 1825, Silk, 1800, Reticules Bags Pockets Wallets, Leaf Wreaths, Reticule Purse
"Augusta Auctions closeup of embroidery on silk reticule" "18th C white silk satin, paper stiffened round base, polychrome sprig embroidery tambour stitch leaf wreath around base, Ht 9.5", Wd 9.25",
Apron Date: first quarter 18th century Culture: British Medium: silk, metal thread
Quarter 18Th, Metals Thread, Century Culture, British Medium, Century Aprons, Mma 64 101 1362, 1720, 18Th Century, Aprons String
18th century aproms | Apron, ca. 1720; MMA 64.101.1362
Apron Date: first quarter 18th century Culture: British Medium: silk, metal thread Accession Number: 64.101.1362
Apron | British | The Metropolitan Museum of Art
Fashion 18th Century ball gown dress ensemble costume circa from 1752-1775. Made from very fine silk, lace and trim with embroidered small flower floral pattern in off white woven into the pale blue background. Hat decorated with millinery flower.