Chryssi Goldy

Chryssi Goldy

«Η φωτογραφία είναι πολλές παλιές ειλικρίνειες και πολλές σημερινές ανειλικρίνειες, είναι η ελπίδα της μνήμης, …». Κική Δημουλά
Chryssi Goldy
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AN EGYPTIAN FAIENCE OPENWORK WADJET-EYE BEAD THIRD INTERMEDIATE PERIOD, DYNASTY XXI-XXV, 1070-712 B.C. Turquoise blue in color, with details in black glaze, with four pairs of wadjet-eyes in four zones, arranged with the tops of each pair adjacent to each other

AN EGYPTIAN FAIENCE OPENWORK WADJET-EYE BEAD THIRD INTERMEDIATE PERIOD, DYNASTY XXI-XXV, 1070-712 B.C. Turquoise blue in color, with details in black glaze, with four pairs of wadjet-eyes in four zones, arranged with the tops of each pair adjacent to each other

Terracotta bell-krater (mixing bowl). Italian Peninsula, 1000 B.C.–1 A.D.The vase estimated to be from 360 BC is being attributed to the Greek artist Python and features Dionysus riding a cart.

Terracotta bell-krater (mixing bowl). Italian Peninsula, 1000 B.C.–1 A.D.The vase estimated to be from 360 BC is being attributed to the Greek artist Python and features Dionysus riding a cart.

Terracotta bell-krater;Period: Classical;ca. 440 B.C.Greek, Attic. The ascension of Persephone from the underworld; (detail); In this grandiose representation, Persephone ascends to earth through a rocky outcrop. She is guided by Hermes, the divine messenger, and Hekate, a goddess of fertility, magic, and dark things who typically carries torches. At the far right stands the regal Demeter, waiting to receive her daughter and the renewal of life that her return engendered.THE MET.

Terracotta bell-krater;Period: Classical;ca. 440 B.C.Greek, Attic. The ascension of Persephone from the underworld; (detail); In this grandiose representation, Persephone ascends to earth through a rocky outcrop. She is guided by Hermes, the divine messenger, and Hekate, a goddess of fertility, magic, and dark things who typically carries torches. At the far right stands the regal Demeter, waiting to receive her daughter and the renewal of life that her return engendered.THE MET.

Terracotta bell-krater;Period: Classical;ca. 440 B.C.Greek, Attic. The ascension of Persephone from the underworld In this grandiose representation, Persephone ascends to earth through a rocky outcrop. She is guided by Hermes, the divine messenger, and Hekate, a goddess of fertility, magic, and dark things who typically carries torches. At the far right stands the regal Demeter, waiting to receive her daughter and the renewal of life that her return engendered.THE MET.

Terracotta bell-krater (bowl for mixing wine and water) Attributed to the Persephone Painter Period: Classical Date: ca. 440 B. red-figure Dimensions: H. diameter of mouth 17 in.

Red figure vase. Hades and Persephone. Detail from an Attic red-figure amphora, ca. 470 BC. From Italy.Oionokles Painter.

Hades, possibly with Persephone--rare depiction of this God. Image consonant with some rock inscriptions on Thesprotia, in which Hades protests the opprobrium directed at him, claiming that he "feasts all the dead psyches.

Hades and Persephone in their palace in the underworld. Monumental southern Italian Greek Red Figure Krater, Volute (330 BCE) from Canossa in Apulia, Italy.  Persephone stands beside the enthroned lord Hades. The god bears a bird-tipped royal sceptre. She wears a crown and carries a flaming, four-headed Eleusinian torch.Staatliche Antikensammlungen, Munich

Hades and Persephone in their palace in the underworld. Monumental southern Italian Greek Red Figure Krater, Volute (330 BCE) from Canossa in Apulia, Italy. Persephone stands beside the enthroned lord Hades. The god bears a bird-tipped royal sceptre. She wears a crown and carries a flaming, four-headed Eleusinian torch.Staatliche Antikensammlungen, Munich

Greek Pottery, The Underworld, Ancient Greece, Baltimore, Southern Italy, Petersburg Russia, Painters, Hermes, Palaces, Volute, Greece

Αττικός αμφορέας του ζωγράφου του Διπύλου. 755-750 π.Χ. Ο αμφορέας χρησίμευε ως σήμα πάνω στον τάφο κάποιας Αθηναίας. Στο ύψος των λαβών του αγγείου αναπτύσσεται το κύριο θέμα που είναι η πρόθεση. Πάνω στο νεκρικό κρεβάτι βρίσκεται το σώμα μιας νεκρής. Είναι σκεπασμένη με το σάβανο, που έχει αβακωτό σχέδιο. Δεξιά της ένα παιδί και έξι άνδρες και αριστερά της 7 άνδρες, οι οποίοι έχουν τα χέρια στο κεφάλι, προφανώς σε στάση θρήνου. Εθνικό Αρχαιολογικό Μουσείο, Αθήνα.

Amphoreas from Eleusis Greece