Art Nouveau Two Door Bookcase,… - 20th Century and Traditional Design - Shapiro Auctioneers - Antiques Reporter

Art Nouveau Two Door Bookcase,… - 20th Century and Traditional Design - Shapiro Auctioneers - Antiques Reporter

Arts & Crafts oak sideboard  with 3 leaded glass panels incorporating stylised copper roundels and cut out decoration.  Waring & Gillow (stamped drawer)  Circa 1900

Arts & Crafts oak sideboard with 3 leaded glass panels incorporating stylised copper roundels and cut out decoration. Waring & Gillow (stamped drawer) Circa 1900

Charles Rennie Mackintosh (1868-1928) - Oak Arm Chair. Charles Rennie Mackintosh was a Scottish architect, designer, watercolourist and artist. He was a designer in the Arts and Crafts movement and also the main representative of Art Nouveau in the United Kingdom.

Charles Rennie Mackintosh (1868-1928) - Oak Arm Chair. Charles Rennie Mackintosh was a Scottish architect, designer, watercolourist and artist. He was a designer in the Arts and Crafts movement and also the main representative of Art Nouveau in the United Kingdom.

Edwardian entryway with encaustic tiled floor.  (encaustic: ceramic tiles in which the pattern or figure on the surface is not a product of the glaze but of different colors of clay).(Edwardian period officially 1901-1910 but up to 1919.)

Edwardian entryway with encaustic tiled floor. (encaustic: ceramic tiles in which the pattern or figure on the surface is not a product of the glaze but of different colors of clay).(Edwardian period officially 1901-1910 but up to 1919.)

objectcuriosity:    Armchair, Koloman Moser, 1903, Vienna, maple, inlaid with ebonised pear-wood, with brass feet; upholstery not original, Victoria and Albert Museum.  This chair was designed in the Vienna Secession style, and reflects the design fascination of the period - plain surfaces. The light coloured wood and ebonised decoration is reminiscent of Biedermeir design from  1815-1840.

objectcuriosity: Armchair, Koloman Moser, 1903, Vienna, maple, inlaid with ebonised pear-wood, with brass feet; upholstery not original, Victoria and Albert Museum. This chair was designed in the Vienna Secession style, and reflects the design fascination of the period - plain surfaces. The light coloured wood and ebonised decoration is reminiscent of Biedermeir design from 1815-1840.

Art Nouveau windows of the first floor of the Hotel Statler in Buffalo (1905-1908) featured designs in opalescent (colored) glass framing clear prismatic (ridged) glass, designed to refract light into the interior. This is one of two windows once located in the northwest corner of the lobby, above the telephone booths.

Art Nouveau windows of the first floor of the Hotel Statler in Buffalo (1905-1908) featured designs in opalescent (colored) glass framing clear prismatic (ridged) glass, designed to refract light into the interior. This is one of two windows once located in the northwest corner of the lobby, above the telephone booths.

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