Measure For Measure. He argues that, despite the ever-changing line between lawmaker and criminal, the law must still stand firm. He admits that he himself is capable of transgression, but adds that he hopes to be treated with the same strictness should he do wrong
Olafur Eliasson, Multiple shadow house, 2010. When a body enters the space and begins to interact with the light installation, beautiful and subtle overlaid visions of their shadow fan across the screens – as they move around forward and backward the image is thus altered and can be manipulated. In this way the project is a creative collaboration between the artist, viewer, space and technology. Essentially the artwork is redundant without the presence of the figure.