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Like the screeching bird that is his namesake, Ralph Schraivogel flies in the face of Swiss design tradition. His posters are intricate, his techniques complex, and the results provocative and challenging. He claims to find Swiss design dull, but there’s no doubt he’s one of the most influential fig

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Supersignos, Félix Beltrán y Cruz Novillo en Casa de América

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Jeker Werner - La Collection Select - 1996

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Bruce Mau Design / Museum of Modern Art / Signage / 2003

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Ben Shahn (American, 1898-1969) Paris Review, 1968 Lithograph in colors on Arches paper

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Karol Gadzala

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Brühwiler Paul / Steinemann Timo - Calder - Draht- und Blechfiguren - 1975

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Like the screeching bird that is his namesake, Ralph Schraivogel flies in the face of Swiss design tradition. His posters are intricate, his techniques complex, and the results provocative and challenging. He claims to find Swiss design dull, but there’s no doubt he’s one of the most influential fig

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SUNday SUN No. 077 by Tad Carpenter

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Jisuke Matsuda

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