''El Greco; Asunción de la Virgen''. The overscale folds of El Greco's draperies suggest the use of a lay figure. The effect is to create a sense of unreality - like a mad dream where nothing is as it should be.
Baptism of Christ - El Greco. El Greco uses his customary language, with stylized forms and loose brushstrokes, obtaining an intensely spiritual expression. The work was painted for the main altarpiece of the church of the Augustine College of María de Aragón in Madrid
The Resurrection by El Greco, 1596-1600. El Greco, born Doménikos Theotokópoulos, (1541-1614) was a painter, sculptor and architect of the Spanish Renaissance. El Greco's dramatic and expressionistic style found appreciation in the 20th century. El Greco is regarded as a precursor of both Expressionism and Cubism. He is best known for tortuously elongated figures and often fantastic or phantasmagorical pigmentation, marrying Byzantine traditions with those of Western painting.
'View of Toledo', by El Greco c.1596-1600, Oil on Canvas. It's very rare to find an isolated landscape in the spanish paintings during the Renaissance and even during the Baroque. This makes El Greco the first landscaper in the history of Spanish art. Regarding its enigmatic symbolism, it is thought that it could be related to the mystic spirit that the city was involved during those times.