Robert Rauschenberg - pode ser visto como um auto retrato do artista que pega a sua própria cama ao invés de uma tela.   http://www.moma.org/learn/moma_learning/robert-rauschenberg-bed-1955

Robert Rauschenberg - pode ser visto como um auto retrato do artista que pega a sua própria cama ao invés de uma tela. http://www.moma.org/learn/moma_learning/robert-rauschenberg-bed-1955

Robert Rauschenberg. Collection (formerly Untitled), 1953-54, oil, paper, fabric, wood, metal, mirror on three wood panels, 79" x 95 3/8" x 3 3/4".

Robert Rauschenberg. Collection (formerly Untitled), 1953-54, oil, paper, fabric, wood, metal, mirror on three wood panels, 79" x 95 3/8" x 3 3/4".

Robert Rauschenberg// In this image he uses a collage of images including photographs and paper/fabric to build up layers. Something interesting about this is the composition, how it build up from the bottom, there are more layers further down the image. The red lines bring a sudden boldness, and jolt to the images.

Robert Rauschenberg// In this image he uses a collage of images including photographs and paper/fabric to build up layers. Something interesting about this is the composition, how it build up from the bottom, there are more layers further down the image. The red lines bring a sudden boldness, and jolt to the images.

Neo Dada [CD]

Neo Dada [CD]

Jasper Johns (1930–present) with Target painting, ca.1959 (age 29), at Castelli Gallery | Smithsonian Institution: Rudi Belsh Papers, Archives of American Art

Jasper Johns (1930–present) with Target painting, ca.1959 (age 29), at Castelli Gallery | Smithsonian Institution: Rudi Belsh Papers, Archives of American Art

Asger Jorn. Decollage. 1964 (Neo-Dada)

Asger Jorn. Decollage. 1964 (Neo-Dada)

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