Jeanne Moreau, Oskar Werner, Henri Serre in the movie "Jules et Jim" (1961) directed by François Truffaut.

Nouvelle Vague, 55 años después

Jeanne Moreau, Oskar Werner, Henri Serre in the movie "Jules et Jim" directed by François Truffaut. You just have to fall in love with the style of this film, in fact all of Truffaut and the french new wave films.

from "Road to Perdition" (cinematography by Conrad Hall)

Michael Mann's Public Enemies

from "Road to Perdition" (cinematography by Conrad Hall) Filmmaking cinematography production

Ingmar Bergman - Persona (1966) DOP: Sven Nykvist

Persona (1966)

Ingmar Bergman’s The Silence and Persona. The Silence is in part a prelude to later films, in which Bergman has shifted his focus from God to people, from theology to psychology.

dystopia | office boxes from Playtime (1967) film by Jacques Tati. @Deidra Brocké Wallace

Office cubicles in Jacques Tati’s ‘Playtime’, All sets designed by Tati himself.

Museo de Andrei Tarkovsky - http://www.absolutrusia.com/museo-de-andrei-tarkovsky/

Stalker film), a 1979 film by Andrei Tarkovsky, based on the Russian novel Roadside Picnic

From LOVERS ON THE BRIDGE by Leos Carax.

Photo from the movie "les Amants du Pont Neuf" de Leos Carax

Apocalypse Now

Photo Mary Ellen Mark ~ Marlon Brando fascinated by a dragonfly, Apocalypse Now, Pagsanjan, Philippines, 1976

Les amants du Pont-Neuf - Leos Carax (1991)

Doctor Destouches, Léos Carax, and the "Emotive Account" on Notebook

Melvyn Douglas, Herbert Marshall and Marlene Dietrich in Angel (Ernst Lubitsch, 1937)

Melvyn Douglas, Herbert Marshall & Marlene Dietrich, Angel, 1937 (costume by Travis Banton)

Jean-Paul Belmondo and Jean Seberg on the set of ‘A Bout de Souffle’, photographed by Raymond Cauchetier, Paris, 1959.

Jean-Paul Belmondo and Jean Seberg on the set of ‘A Bout de Souffle’, photographed by Raymond Cauchetier, Paris,

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