For furnishings, they started nearly from scratch: The residence had been, as Wilde put it, "stuck in the early 1990s," clean and sharp with white walls and black floors, and furnishings to match. "We wanted to be subtle and calm, to have some depth but not be in your face," she says. Champeau adds: "We felt they needed something more sophisticated and wanted to bring them to colors gently." The desk and chairs in the office are by Christian Liaigre, and the print is by Guyton/Walker.