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Leaves Lines Watercolor painting colorful lines blue yellow original watercolor painting modern home decor

Original watercolor painting by Louise van Terheijden

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Autumn series print Abstract watercolor print Watercolor Painting A3 colorful home decor

Original watercolor painting by Louise van Terheijden

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Watercolor painting - Sea glass art painting - Abstract painting -blue green painting - little painting

Original watercolor painting by Louise van Terheijden

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Original watercolor painting Connecting the dots little Abstract painting

Original watercolor painting by Louise van Terheijden

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red onions watercolor by Christina Drejenstam

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LA SOGA AL CIELO: Imágenes del incendio (VII)

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Karine Léger "Reflet de lune" 48x36 Acrylic on canvas

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David Hockney

DAVID HOCKNEY: PAINTINGS

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David Hockney

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David Hockney

DAVID HOCKNEY: PAINTINGS

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David Hockney

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Fine Art Print- Giclee PRINT 8x10-Abstract Landscape 3 - from original oil painting- wall decor- wall art #art #abstract #painting

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Matthew Fischer - Columbia University 2011 Thesis Show

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Matthew Fischer - Columbia University 2011 Thesis Show

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Apples Paris, 1949 Ellsworth Kelly

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Study for Meschers (1951) -

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Ellsworth Kelly -

MoMA | The Collection | Ellsworth Kelly (American, born 1923)

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Willem de Kooning - abstract expressionist

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"One has to believe in what one is doing, one has to commit oneself inwardly, in order to do painting. Once obsessed, one ultimately carries it to the point of believing that one might change human beings through painting. But if one lacks passionate commitment, there is nothing left to do. Then it is best to leave it alone. For basically painting is total idiocy." Gerhard Richter

14. Oktober 1996 » Art » Gerhard Richter

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Gerhard Richter

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"On waking up I went to look at the painting, and I saw that it wasn’t the black that made the picture come alive but the light reflected on the black surfaces. On the striated surfaces the light vibrated, and on the smooth areas all was calm. A new space: the space of painting was no longer on the wall, as in the Byzantine pictorial tradition, nor was it behind the wall, as in perspective painting, it was now physically in front of the painting. The light was coming to me from the painting…

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Pierre Soulages says about these paintings in an interview with Bernard Ceysson, 'Some mornings, it is a silvery grey. Sometimes, capturing the light reflected from the sea, it is blue. At other times, it can be tinged a coppery brown. In fact, it always corresponds to the light that falls on it. One day, I even saw it green: there had been a storm, and there was a blaze of sun on the trees not far away.'

Pierre Soulages in Paris

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Pierre Soulages

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