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The Research and imagery that inspires Immeasurable Heaven, the year 3 Iteration of a 3 year Generative Theatre Project by UMKC MFA Candidates in Scenic…
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Set Design Theatre
Lighting Design Inspiration
Stage Set Design
Vienna State Opera's 2013 Idomeneo directed by Damiano Michieletto. Set design by Paolo Fantin.
The Last Days of Judas Iscariot
3d Projection Mapping
Concert Stage Design
Jamie Lidell Controls A Stunning Projection Mapped Cube Using A Mic Stand | The Creators Project
Stage Lighting Design
Eric Levenson, let design, and Christopher Fournier, lighting design, "Some Men", SpeakEasy Stage
#Papercraft Dioramas Comes to Life with Projected Animations by Davy and Kristin McGuire -Via #ThisIsColossal #Art
Carnival. Andrew Jackness. Funky set design and lamp post placement... It works!
Frankenstein (National Theatre, London) Lighting Design by National Cottage Industries...
The Lady from the Sea. Birmingham Rep. Scenic design by Mike Britton.
Lighting Design Theatre
Dark Fantasy Art
Esperando A Godot
I have trouble with cycloramas. Sometimes they are flat, bland, two dimensional...but they can be painted so beautifully with light... What a wonderful way to add depth to a stage.
Bambiland. The National Drama Theatre of Lithuania. Scenic design by Jurate Paulekaite. 2007
Selective Focus, Provide Visibility, Color & Establish Location
Part of an Event Technician's job would be to rig up the wires that hold up both the actress and the moon in this picture.
Jesper Kongshaug | Orfeo Theatrical, color, repetition. shape of bodies
Church Stage Design
loving the way this changes the shape of the stage - "unity" designed and photographed by anne hardy | angled mirrored walls?
Picture Frame Designs
if we ever frame it up- create a sphere instead of mimicking the wall
Tv Set Design
This set is amazing, BUT I'd have added levels in the brambles for actors to walk and swing.
Fireflies on the Water (2002) by Yayoi Kusama. Installation made of 150 lights, mirrors, and water.
An Inspector Calls, with set, costume and lighting design by Ian MacNeil and Rick Fisher, opened at the National Theatre in 1992. JB Priestley’s play was directed by Stephen Daldry. MacNeil said: ‘We used the idea that a performance can exist in three time periods simultaneously’