John Galliano for Christian Dior Haute Couture, Autumn 1997 two piece suit of gray wool tweed. The jacket peplum is padded and references the jackets of Dior's New Look of 1947. Worn with a choker made of 35 rings of silver. From the collection of the KCI.

Christian Dior Haute Couture, Autumn 1997 two piece suit of gray wool tweed. The jacket peplum is padded and references the jackets of Dior's New Look of Worn with a choker made of 35 rings of silver. From the collection of the Kyoto Costume Institute.

dior new look. Neo romance era. Love this original Parisienne style

Pierre Balmain, 1950 - dress styles gained popularity with the creation of Dior's postwar "New Look" in In when Dior left the army, he joined the fashion house of Lucien Lelong, where he and Pierre Balmain were the primary designers.

LIFE magazine, 1952. Photo: Gordon Parks.

csebastian: “ photographer: Gordon Parks Life Magazine, 1952 black and white, vintage, in fur photo via dovima_is_devine / Starlet Showcase also: Gordon Parks

Christian Dior's New Look, 1947 #happybirthdaydior

Christian Dior

Christian Dior, 1947 Dior's groundbreaking new silhouette redefined women's post-war style and revived France's fashion industry after a difficult few years.

Yves Saint Laurent for Christian Dior, Spring 1960.

lavoilette: “ Model in sleeveless silk evening coat by (YSL) Christian Dior, photo by Pottier, 1960 ”

Editha Dussler is wearing a sharp green coat with blind closing and giant square-seamed pleats in the back by Stanley Nelson, wide roller by Emme, photo by Penn for Vogue, 1967

Editha Dussler is wearing a sharp green coat with blind closing and giant square-seamed pleats in the back by Stanley Nelson, wide roller by Emme, photo by Irving Penn for Vogue, 1967

Pinterest
Search