Donatello, Saint Mark (1411-1413) (w)    This marble statue stands approximately seven feet and nine inches high in an exterior niche of the Orsanmichele church, Florence. The work was commissioned by the linen weaver’s guild of Florence.

Donatello, Saint Mark (1411-1413) (w) This marble statue stands approximately seven feet and nine inches high in an exterior niche of the Orsanmichele church, Florence. The work was commissioned by the linen weaver’s guild of Florence.

David   by Michelangelo Bounaroti.   One of the greatest artworks in history.

The Italian Renaissance 14th - 17th centuries

David by Michelangelo Bounaroti. One of the greatest artworks in history.

Donato (1386 – 1466 . Florence), also known as Donatello, was an early Renaissance Italian painter and sculptor. He is known for his work in bas-relief, a form of shallow relief sculpture that, in Donatello's case, incorporated significant 15th-century developments in perspectival illusionism.

Donato (1386 – 1466 . Florence), also known as Donatello, was an early Renaissance Italian painter and sculptor. He is known for his work in bas-relief, a form of shallow relief sculpture that, in Donatello's case, incorporated significant 15th-century developments in perspectival illusionism.

Complete Interpretation and Analysis "the Holy Trinity" by Masaccio (trinità, 1425) in Florence - Picture Description

Complete Interpretation and Analysis "the Holy Trinity" by Masaccio (trinità, 1425) in Florence - Picture Description

Masaccio, Trinity, fresco, 640 x 317 cm, Santa Maria Novella - I just love this -

Alberti's Window-Ghiberti's North Doors

Alberti's Window-Ghiberti's North Doors


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1425/1428-Il Tributo di Masaccio presenta dei retaggi medioevali come la presenza di molti personaggi, ma riporta dei temi in continuità con le innovazioni giottesche come il paesaggio aspro e la quinta scenica dell’architettura. Gli apostoli si distribuiscono nello spazio in modo ellittico, su vari piani di profondità. Il chiaroscuro delle vesti e la raffigurazione prospettica delle aureole dei santi contribuiscono alla creazione della profondità come nell'affresco del Compianto del Cristo.

1425/1428-Il Tributo di Masaccio presenta dei retaggi medioevali come la presenza di molti personaggi, ma riporta dei temi in continuità con le innovazioni giottesche come il paesaggio aspro e la quinta scenica dell’architettura. Gli apostoli si distribuiscono nello spazio in modo ellittico, su vari piani di profondità. Il chiaroscuro delle vesti e la raffigurazione prospettica delle aureole dei santi contribuiscono alla creazione della profondità come nell'affresco del Compianto del Cristo.

MICHELANGELO BUONARROTI - (1475 - 1564) - Sistine Chapel - Ceiling.

MICHELANGELO BUONARROTI - (1475 - 1564) - Sistine Chapel - Ceiling.

Giotto di Bondone - Lamentation, The Mourning of Christ, 1304-06

Giotto di Bondone - Lamentation, The Mourning of Christ, 1304-06

DONATELLO Equestrian Statue of Gattamelata 1447-50 Bronze, 340 x 390 cm (without base) Piazza del Santo, Padua

DONATELLO Equestrian Statue of Gattamelata 1447-50 Bronze, 340 x 390 cm (without base) Piazza del Santo, Padua

Habacuc, by Italian Renaissance sculptor Donatello (1386 - 1466)…

Habacuc, by Italian Renaissance sculptor Donatello (1386 - 1466)…

Donatello's Mary Magdalen THE most haunting image I have ever seen. I hated leaving her behind.

Donatello's Mary Magdalen THE most haunting image I have ever seen. I hated leaving her behind.

I CAN'T TELL IF THIS IS CREEPY OR GREAT

I CAN'T TELL IF THIS IS CREEPY OR GREAT

Perseus with the head of Medusa, in Florence - @classiquecom

Perseus with the head of Medusa, in Florence - @classiquecom

Andrea Mantegna - ceiling of the Palazzo Ducale, Mantua, 1473

Andrea Mantegna - ceiling of the Palazzo Ducale, Mantua, 1473

DONATELLO - Italian (1386 - 1466) Gattamelata -  first equine statue since antiquity

DONATELLO - Italian (1386 - 1466) Gattamelata - first equine statue since antiquity

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