17th Century Art
17th Century Art
- 52 Pins
Ernestine Yolande, Pricess of Ligne, ca. 1620 (Jan Antonisz. van Ravesteyn) (1572-1657) Mauritshuis den Haag, Inv. 120
Jan Anthonisz, Century Art, Yoland 1594 1663, Yoland 15941663, Ernestin Yoland, Vans Ravesteyn, Anthonisz Vans, Vans Ligne, Royals Portraits
Jan Anthonisz. Van Ravesteyn, Portrait of Ernestine Yolande (1594-1663), Princess of Ligne, c. 1620
Portret van Ernestine Yolande, Prinses Van Ligne by Jan Anthonisz Van Ravensteyn
Jan Asselijn (1610-1652), The Threatened Swan, ca. 1640
Jan Asselijn, National Museum, Bedreigd Zwaan, 17Th Century, Bedreigde Zwaan, Art History, Paintings, Threaten Swan, De Bedreigde
A 17th century swan
(The Threatened Swan) Jan Asselijn - de bedreigde zwaan pre 1652
While not well known in art history, Jan Asselijn's "The Threatened Swan" is a must-see masterpiece at Amsterdam's Rijksmuseum.
De bedreigde zwaan, Jan Asselijn, ca. 1650 - Zoeken - Rijksmuseum
A painting that deeply moved me, way back in summer of 1975, at the Riijksmuseum, Amsterdam. De bedreigde zwaan, Jan Asselijn, ca. 1650
Hendrick Avercamp (1585-1634), Winterlandschap met schaatsers, 1608
Winter Landscape, Met Schaatser
Winter Landscape with Ice Skaters, Hendrick Avercamp, c. 1608 - Rijksmuseum
Rembrandt, Sacrifice of Isaac, 1635. www.artsalonholla...
God Will, Angel, Sacrifice, Art, Rembrandt Vans, Painting, Vans Rhine, Abraham Sacrif, Isaac
The Sacrifice of Abraham, 1635 by Rembrandt van Rijn art print
Rembrandt Harmensz. van Rijn: The Sacrifice of Isaac. The original hangs in the Hermitage (St. Petersburg). I was able to see this painting - it gave me chills!
Jewish Covenant- The covenant is a sacred or a holy agreement between humanity and God. In this covenant, God asks Abraham to do things such as build a new temple in Jerusalem, and lead the Jews out of Egypt. Which in return God will take care of Abraham and his people.
Sacrifice of Isaac, Rembrandt Van Rijn, 1634 "Abraham and Isaac. GENESIS 22:11-13. God gave to Abraham a command which He did not mean to have obeyed, to make an offering of Isaac to him. With a sad heart he set out to do as God said. An Angel stopped Abraham just before he was to slay Issac and told him not to harm him.
arpoma.com (art actualite histoire lieux)
Govert Flinck, Rembrandt als herder met staf en fluit, 1636
Musicians Paintings, Art Paintings, Art Rembrandt Vans Rijn, Dutch Master, Flute, Music Art, Govert Flinck, Dutch Art, Art Music
Rembrandt as Shepherd with Staff and Flute, Govert Flinck, 1636
♪ The Musical Arts ♪ music musician paintings - Rembrandt as Shepherd with Staff and Flute c. 1636 By: Govert Teunisz
De gebroeders Le Nain, Allegorie van de overwinning, 1635
Paintings Techniques, Louvre, Allegory, Victorious, Art Inspiration, Allégori De, Of The, Nain Brother, Le Nain
Paris art inspiration.
Allegory of Victory Artist: Le Nain brothers Completion Date: c.1635 Place of Creation: Paris, France Style: Baroque Genre: allegorical painting Technique: oil Material: canvas Dimensions: 115 x 115 cm Gallery: Musée du Louvre, Paris, France
Gerard Dou, De Hollandse huisvrouw, 1650, olieverf op paneel,26 x 20 cm, Louvre, Parijs. www.artsalonholla...
Dutch Housewife, Dutch Artists, Dutch Master, Gerrit Dou, De Holland, Gerard Give, Dutch Golden, Golden Age, Dutch Painters
Gerard Dou - The Dutch Housewife - 1650.
The Dutch Housewife or, The Woman Hanging a Cockerel in the Window-by Gerrit Dou also known as Gerard and Douw or Dow, was a Dutch Golden Age painter, whose small, highly-polished paintings are typical of the Leiden fijnschilders.
Ferdinand Bol, Portret van Elisabeth Bas, ca. 1642, olieverf op doekm 118 c 91.5 cm, Rijksmuseum, Amsterdam. Biografie Bol: www.artsalonholla...
Elisabeth Bas, 1400 1700, Oude, Biografi Bol, Ferdinand Bol, Portraits, Portret Vans, Women, Vans Elisabeth
https://flic.kr/p/qEZ8VX | Bol, Ferdinand -attributed- - Portrait of an Old Lady, Possibly Elisabeth Bas,, c.1640-c.1645 |
Ferdinand Bol, Portret van Elisabeth Bas, ca. 1642, olieverf op doekm 118 c 91.5 cm, Rijksmuseum, Amsterdam. Biografie Bol: http://www.artsalonholland.nl/grote-meesters-kunstgeschiedenis/ferdinand-bol
Ferdinand Bol - Portret van een oude dame, mogelijk Elisabeth Bas, toegeschreven aan Ferdinand Bol
Paulus Moreelse, Een mesije met een spiegel, 1627, Fitzwilliam Museum, University of Cambridge, U.K.
Paulus Moreels, Girls Generation, Moreel 15711638, Moreel Dutch, 17Th Century, 1571 1638, Photo, Dutch 15711638, Fitzwilliam Museums
Paulus Moreelse (Dutch, 1571 –1638) : A Girl with a Mirror, 1627. Fitzwilliam Museum, University of Cambridge.
Girl with an iPad, an Allegory of Consumerism, after Paulus Moreelse | Flickr - Photo Sharing!
Francisco de Zurbarán, Saint Casilda, ca. 1630
Thyssen Bornemisza Museum, Saint Casilda, Oil On Canvas, Santa Casilda, Francisco De, De Zurbaran, Fabrics Paintings, Santacasilda, Zurbaran
FRANCISCO DE ZURBARÁN. Santa Casilda (1630) Museo Thyssen Bornemisza, Madrid
Francisco de Zurbarán, Saint Casilda, c. 1630…the fabric painting is beautiful
Francisco de Zurbaran (1598-1664, Spain) - Saint Casilda, c. 1630
Francisco de Zurbarán Saint Casilda, ca. 1635, oil on canvas
Gerard Dou, De Waterzuchtige, 1663, olieverf op hout, 83 x 67 cm, Musée National du Louvre, Parijs - Biografie Dou: www.artsalonholla...
Century Art, Art Paintings, Gerrit Dou, Dou 1663, Kunstschild Gerrit, Gerard Give, Polish Paintings, Dropsic Women, Paintings Dutch
The Dropsical Woman - Gerrit Dou
Gerard Dou - The Dropsical Woman
The Dropsical Woman by Dou (1663) Oil on wood, 86 x 67 cm Musée du Louvre, Paris
Gerard Dou, Portret van een oude lezende vrouw, ca. 1630-35, olieverf op paneel, 71 x 55.5 cm, Rijksmuseum, Amsterdam.
Gerarddou, Women Reading, Gerritdou, Rembrandt, Gerrit Dou, Gerard Give, Portraits, Painting, Golden Age
Old Woman Reading a Lectionary (So-called Portrait of Rembrandt’s Mother), c. 1630. Gerard Dou. Oil on panel. Dou painted in great detail. He was particularly accurate in his rendering of the various materials: the different types of fur in the cap and the collar, the structure of the paper, the cotton and the velvet, the gold of the brooch. Dou delicately depicted the skin of the face and hand, and even the capitals in the book are legible. The lectionary is a book of religious tex
Rembrandt’s Mother, entitled ‘Old Woman Reading’ (1640) by the Dutch painter Gerard Dou (1613-1675). This piece of art was created in 1630. Titled “Old Woman Reading a Bible” OLD WOMAN READING (Rembrandt's Mother), 1631 by Gerrit DOU [Dutch Baroque Era Painter, Dutch Golden Age painter. "He specialised in genre scenes and is noted for his trompe l'oeil "niche" paintings and candlelit night-scenes with strong chiaroscuro.
The Lovesick Maiden Jan Steen (Dutch, Leiden 1626–1679 Leiden) Date: ca. 1660 Medium: Oil on canvas Dimensions: 34 x 39 in. (86.4 x 99.1 cm) Classification: Paintings Credit Line: Bequest of Helen Swift Neilson, 1945 Accession Number: 46.13.2
The Doors, Steen Dutch, Lovesick Maiden, Oil On Canvas, Jan Stone, New York, Art History, 1660, Metropolitan Museums
"The Lovesick Maiden" -- Circa 1660 -- Jan Steen -- Oil on canvas -- The Metropolitan Museum of Art, New York
"The Lovesick Maiden" by Jan Steen (1660) at the Metropolitan Museum of Art, New York - From the curators' comments: "Doctors were familiar targets of parody in Steen's native Leiden, the home of a famous medical school. Borrowing from the comic stage, Steen identifies the old man as a quack by his peculiar clothing, while the nature of the young lady's malady is suggested by the Cupid over the door, and other intimations like the open bed."
Jan Steen (Dutch, 1626–1679). The Lovesick Maiden, ca. 1660. The Metropolitan Museum of Art, New York. Bequest of Helen Swift Neilson, 1945 (46.13.2)
Jan Steen: The Lovesick Maiden (46.13.2) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Kongo nobleman in Kongo-Portuguese dress, by Albert Eckhout- 17th century
European Art, Miguel De, De Castro, 17Th Century, Africans American, Don Miguel, European History, Black History, Albert Eckhout
17th century painting of the dutch painter Albert Eckhout showing the nobleman Don Miguel de Castro from the Kingdom of Kongo during a commercial trip to the portuguese colony of Brazil
Seeing All of Us: Diversity in European History — Medium
People of Color in European Art History: "The all-white reinvention of Medieval Europe commonly depicted in popular fiction, films, tv shows and art is entirely that: a fiction. An invention. An erasure. Obviously, people of color have been an essential and integral part of European life, European art, and European literary imagination since time immemorial." They always have been from the beginning..They ruled Europe for 1000 ...you expect another nation to teach you your True history?? wake up
Kongo Nobleman - Wagadu
Frances Teresa Stewart, Duchess of Richmond and Lennox (1647-1702), as Diana, she served as the model for an idealised, female Britannia. by Adrianus van Isselsteyn (Haarlem 1627/47-1684 Utrecht)
"Lady Frances Cavendish, Lady Maynard", attr. Marcus Gheeraerts the younger, ca. 1612; NT 1129107
C17Th Female, Ladies Maynard, Cavendish 1595 1613, 17Th Century, Art, 1500S Fashion, 1600 1620 Female, Ladies France Cavendish, Marcus Gheeraert
Marcus Gheeraerts the younger, Flemish artist, 1561-1635. Lady Frances Cavendish 1595-1613, Lady Maynard
It's About Time: 1500s Fashion - Ruffs Galore attributed to Marcus Gheeraerts the younger, Flemish artist, 1561-1635 or his school
1670 Dudleia Cullum, née North, Lady Cullum by Sir Peter Lely. Daughter of Sir Henry North, 1st Baronet, and Sarah Rayney. Married Sir Thomas Cullum, 2nd Bt., in 1656. Neither of their two sons left descendants, but her brother Peregrine was an ancestor of the Sir Charles Bunbury who married Lady Sarah Lennox of the famous Lennox sisters.
1670 Dudleia Cullum, née North, Lady Cullum by Sir Peter Lely
English Artists, Artists Sir, Peter O'Toole, Née North, 1670 Dudleia, Sir Peter, Peter Delights, Dudleia Cullum, Ladies Cullum
Portrait of Dudleia Cullum, née North, Lady Cullum, by the English artist Sir Peter Lely. Oil on canvas, circa 1670. 74 cm x 62 cm. Courtesy of the collections of the St Edmundsbury Museums.
Sophia of the Palatinate, more commonly referred to as Sophia of Hanover, was born October 14,1630. She was the eldest surviving child of Elizabeth of Bohemia, daughter of James I. Sophia of Hanover was the only suitable choice as heir to the British throne and was made heiress presumptive by parliament in 1701. Only a Protestant could take the throne since Queen Mary died without children; Queen Anne’s children did not survive past infancy. Thus, Princess Sophia started the Hanoverian line.
Queen Anne, Princesses Palatin, Historical Portraits, Vans Honthorst, Palatin 1641 Gerard, Unknown Artists, Elizabeth Stuart, 1641 Gerard Vans, Princesses Sophia
♔ Portrait of Sophia, Princess Palatine (1641). Gerard van Honthorst.
Sophie of the Palatinate, later Electress of Hanover, ca. 1645, by an unknown artist (possibly her sister Louise)Sophia of Hanover Father: Frederick V of Bohemia Mother: Elizabeth Stuart (daughter of James I) Born: Oct 13, 1630 at The Hague Married: Ernst August, Elector of Hanover, on September 30, 1658 Children: 7 children. Her eldest was George who became King George I of England Died: June 8, 1714
Portrait of Sophia, Princess Palatine (1641) by Gerrit von Honthorst. Painted when she was 11 years old, Princess Sophia was the mother of George I, the first Hanoverian King of England who succeeded Queen Anne.
Portrait of an Artist Hyacinthe François Rigau y Ros, called Hyacinthe Rigaud, 27.9 x 22.9 cm (11 x 9 in.) Oil on canvas Classification: Paintings Accession number: 74.16 Bequest of Charles Sumner
Paintings Accessible, Oil On Canvas, 229 Cm, Canvas Classification
Anatomia per uso et intelligenza del disegno ricercata... Bernardino Genga and Charles Errard 1691 "The association between death and anatomy continued in art anatomy, even as it waned in medical texts. Genga, a Roman anatomist, specialized in studies of classical sculptures. Errard, court painter to Louis XIV, helped found the Académie Royale de Peinture and was first Director of the Académie de France in Rome."
Skull, Anatomy Art, Illustrations, Del Disegno, Bones, Death, Bernardino Genga, 1691, Art Pictures
1691, Rome, Bernardino Genga. This is an illustration from an anatomy book.
Bernandino Genga’s Anatomia per uso et intelligenza del disegno  Anatomy art.
Skulls and bones
Bernardino Genga (1636?-1734?) [anatomist] Charles Errard (1609?-1689) [artist] The association between death and anatomy continued in art anatomy, even as it waned in medical texts. Genga, a Roman anatomist, specialized in studies of classical sculptures. Errard, court painter to Louis XIV, helped found the Académie Royale de Peinture and was first Director of the Académie de France in Rome. #skull #skulls #obsessedwithskulls
Human Anatomy Art | human anatomy art picture from google
Anatomia per uso et intelligenza del disegno ricercata... Rome, 1691. Copperplate engraving. National Library of Medicine Bernardino Genga (1636?-1734?) Charles Errard (1609?-1689) The association between death and anatomy continued in art anatomy, even as it waned in medical texts. Genga, a Roman anatomist, specialized in studies of classical sculptures. Errard, court painter to Louis XIV, helped found the Académie Royale de Peinture and was first Director of the Académie de France in Rome.
1644-1648 Portrait of a Lady with a Veil Diego Velazquez Oil on canvas, 93 x 68.5 cm Wallace Collection
Spanish Painters, Diego Velázquez, Spanish Art, Del Abanico, Fans, Lady, Diego Velazquez, Portraits, Several La
One of the modern researchers suggested this work of Diego Velázquez "Lady with a Fan" is the portrait of Marie Aimée de Rohan, duchesse de Chevreuse; the artist could paint her when she lived in Madrid. This picture still does not match the verbal descriptions of Marie. Rohan's estates in Czech Zámek Sychrov where the Rohans settled in 1820 keeps Rohan's collection of portraits that includes a signed portrait of the Duchess, and the features of women in both portraits are similar.
La dama del abanico - (Diego Velazquez)
La dama del abanico (Lady with a Fan), 1640 - Diego Rodríguez de Silva y Velázquez (Spanish painter, 1599–1660).
38 Diego Velázquez - La dama del abanico
Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares, ca. 1635. The Metropolitan Museum of Art, New York. Fletcher Fund, 1952 (52.125) | In full armor and holding a baton, the Count-Duke of Olivares is shown as a victorious commander. His horse holds a dressage position known as a levade. #mustache #movember
Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid) Date: ca. 1635 Medium: Oil on canvas Dimensions: 50 1/4 x 41 in. (127.6 x 104.1 cm) Classification: Paintings Credit Line: Fletcher Fund, 1952 Accession Number: 52.125
Don Gaspar, Velazquez Diego, Oil On Canvas, Gaspar De, Velázquez Diego, Diego Velazquez, Art History, Metropolitan Museums, Diego Rodríguez
Velazquez, Diego (1599-1660) - 1635c. Don Gaspar de Guzman (Metropolitan Museum of Art, New York City), for more please visit http://www.painting-in-oil.com/artworks-Goya-Francisco-de-page-1-delta-ALL.html
Diego Velazquez: Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares (ca. 1635) Metropolitan Museum of Art:
Velázquez (Diego Rodríguez de Silva y Velázquez): Don Gaspar de Guzman (1587-1645), Count-Duke of Olivares (52.125) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
"Don Gaspar de Guzman, Count-Duke of Olivares" -- Circa 1635 -- Velázquez (Diego Rodríguez de Silva y Velázquez -- Spanish -- Oil on canvas -- The Metropolitan Museum of Art, New York
A Maid Asleep Johannes Vermeer (Dutch, Delft 1632–1675 Delft) Date: 1656–57 Medium: Oil on canvas Dimensions: 34 1/2 x 30 1/8 in. (87.6 x 76.5 cm) Classification: Paintings Credit Line: Bequest of Benjamin Altman, 1913 Accession Number: 14.40.611
Maids Asleep, Girls Asleep, Girls Generation, Oil On Canvas, Johannes Vermeer, Jan Vermeer, Women Asleep, New York, Metropolitan Museums
Jan Vermeer. Girl Asleep at a Table. c.1657. Oil on canvas. Metropolitan Museum of Art, New York, USA.
A Maid Asleep (A Woman Asleep at Table) - Johannes Vermeer. c.1657. Oil on canvas. 87.6 x 76.5 cm. Metropolitan Museum of Art, New York City NY, USA.
Johannes Vermeer | A Maid Asleep | The Metropolitan Museum of Art
James Stuart (1612–1655), Duke of Richmond and Lennox Anthony van Dyck (Flemish, Antwerp 1599–1641 London) Date: ca. 1634–35 Medium: Oil on canvas Dimensions: 85 x 50 1/4 in. (215.9 x 127.6 cm) Classification: Paintings Credit Line: Marquand Collection, Gift of Henry G. Marquand, 1889 Accession Number: 89.15.16
James Of Arci, Stuart 1612 1655, 17Th Century, Metropolitan Museum, James D'Arcy, Anthony Vans Dyck, Dyck Flemish, James Stewart, James Stuart
Anthony van Dyck (Flemish 1599–1641) James Stuart, Duke of Richmond and Lennox, ca. 1633-35. Oil on canvas, 215.9 x 127.6 cm. Marquand Collection, Metropolitan Museum of Art, New York.
Sir Anthony van Dyck, James Stewart, Duke of Richmond, and Duke of Lennox c1637
James Stuart by Anthony van Dyck Date: 1634-1635 In the first half of the 17th century, men's wore the falling band collar
"The Lute Player" by Valentin de Boulogne (1626) at the Metropolitan Museum of Art, New York - From the curators' comments: "This canvas, showing a soldier of fortune singing a love madrigal, is unique in Valentin’s career. It is perhaps emblematic of the sobriquet he took in Rome: Amador, Spanish for "lover boy.""
The Lute Player Valentin de Boulogne (French, 1591–1632) Date: ca. 1626 Medium: Oil on canvas Dimensions: 50 1/2 x 39 in. (128.3 x 99.1 cm) Classification: Paintings Credit Line: Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund; funds from various donors; Acquisitions Fund; James and Diane Burke and Mr. and Mrs. Mark Fisch Gifts; Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest, 2008 Accession Number: 2008.459