17th Century Art
17th Century Art
- 52 Pins
Ernestine Yolande, Pricess of Ligne, ca. 1620 (Jan Antonisz. van Ravesteyn) (1572-1657) Mauritshuis den Haag, Inv. 120
Century Art, Jan Anthonisz, Yoland 1594 1663, Yoland 15941663, Ernestin Yoland, Vans Ravesteyn, Vans Ligne, Anthonisz Vans, Royals Portraits
Jan Anthonisz. Van Ravesteyn, Portrait of Ernestine Yolande (1594-1663), Princess of Ligne, c. 1620
Portret van Ernestine Yolande, Prinses Van Ligne by Jan Anthonisz Van Ravensteyn
Jan Asselijn (1610-1652), The Threatened Swan, ca. 1640
Jan Asselijn, Bedreigd Zwaan, Rijksmuseum, 17Th Century, Bedreigde Zwaan, Art History, Paintings, Threaten Swan, De Bedreigde
A 17th century swan
While not well known in art history, Jan Asselijn's "The Threatened Swan" is a must-see masterpiece at Amsterdam's Rijksmuseum.
De bedreigde zwaan; later opgevat als allegorie op Johan de Witt, Jan Asselijn, ca. 1650 olieverf op doek, h 144cm × b 171cm. Rijksmuseum, Amsterdam
De bedreigde zwaan/ The Threatened Swan jan asselijn
A painting that deeply moved me, way back in summer of 1975, at the Riijksmuseum, Amsterdam. De bedreigde zwaan, Jan Asselijn, ca. 1650
Hendrick Avercamp (1585-1634), Winterlandschap met schaatsers, 1608
Winter Landscape with Ice Skaters, Hendrick Avercamp, c. 1608 - Rijksmuseum
Rembrandt, Sacrifice of Isaac, 1635. www.artsalonholla...
Angel, God Will, Sacrifice, Art, Rembrandt Vans, Painting, Vans Rhine, Abraham Sacrif, Isaac
Rembrandt Harmensz. van Rijn: The Sacrifice of Isaac. The original hangs in the Hermitage (St. Petersburg). I was able to see this painting - it gave me chills!
Jewish Covenant- The covenant is a sacred or a holy agreement between humanity and God. In this covenant, God asks Abraham to do things such as build a new temple in Jerusalem, and lead the Jews out of Egypt. Which in return God will take care of Abraham and his people.
Abraham Sacrificing Isaac
"Sacrifice of Isaac, Rembrandt, 1635 REMBRANT VAN RIJN , c. 1634 "Abraham and Isaac. GENESIS 22:11-13. God gave to Abraham a command which He did not mean to have obeyed, to make an offering of Isaac to him. With a sad heart he set out to do as God said. God stopped Abraham just before he was to slay Issac and told him not to harm him. Obedience to God was what God was after, not the will of man." Little know facts about me... I love religious art.
Sacrifice of Isaac, Rembrandt Van Rijn, 1634 "Abraham and Isaac. GENESIS 22:11-13. God gave to Abraham a command which He did not mean to have obeyed, to make an offering of Isaac to him. With a sad heart he set out to do as God said. An Angel stopped Abraham just before he was to slay Issac and told him not to harm him.
arpoma.com (art actualite histoire lieux)
Govert Flinck, Rembrandt als herder met staf en fluit, 1636
Musicians Paintings, Dutch Master, Art Paintings, Art Rembrandt Vans Rijn, Flute, Music Art, Dutch Art, Govert Flinck, Art Music
"Rembrandt as Shepherd with Staff and Flute" was painted in about 1636 by Govert Flinck (1615-1660).
♪ The Musical Arts ♪ music musician paintings - Rembrandt as Shepherd with Staff and Flute c. 1636 By: Govert Teunisz
De gebroeders Le Nain, Allegorie van de overwinning, 1635
Paintings Techniques, Louvre, Victorious, Art Inspiration, Allégori De, Of The, St. Louis, Nain Brother, Le Nain
Paris art inspiration.
Le Nain, Mathieu - Allégorie de la Victoire - c.1635 - Palm branch (symbol) - Wikipedia, the free encyclopedia Allegory of Victory (ca. 1635), by Mathieu Le Nain: the "strangely grave and chastely immodest" Victory holds a palm branch and tramples a figure variously identified as Deceit, Intrigue or Rebellion
"Allegory of Victory" Artist: Le Nain brothers Completion Date: c.1635 Place of Creation: Paris, France Style: Baroque Genre: allegorical painting Technique: oil Material: canvas Dimensions: 115 x 115 cm Gallery: Musée du Louvre, Paris, France
Gerard Dou, De Hollandse huisvrouw, 1650, olieverf op paneel,26 x 20 cm, Louvre, Parijs. www.artsalonholla...
Dutch Housewife, Dutch Artists, Dutch Master, Gerrit Dou, Dutch Golden, Nederland Schilder, Gerard Dou, Golden Age, Dutch Painters
"The Dutch Housewife" -- 1650 -- Gerard Dou -- Oil on panel -- The Louvre
The Dutch Housewife or, The Woman Hanging a Cockerel in the Window-by Gerrit Dou also known as Gerard and Douw or Dow, was a Dutch Golden Age painter, whose small, highly-polished paintings are typical of the Leiden fijnschilders.
Ferdinand Bol, Portret van Elisabeth Bas, ca. 1642, olieverf op doekm 118 c 91.5 cm, Rijksmuseum, Amsterdam. Biografie Bol: www.artsalonholla...
Elisabeth Bas, Aan Ferdinand, 1400 1700, Biografi Bol, Ferdinand Bol, Portraits, Portret Vans, 1640 Ferdinand, Vans Elisabeth
https://flic.kr/p/qEZ8VX | Bol, Ferdinand -attributed- - Portrait of an Old Lady, Possibly Elisabeth Bas,, c.1640-c.1645 |
Ferdinand Bol - Portret van een oude dame, mogelijk Elisabeth Bas, toegeschreven aan Ferdinand Bol
Ferdinand Bol, Portret van Elisabeth Bas, ca. 1642, olieverf op doekm 118 c 91.5 cm, Rijksmuseum, Amsterdam. Biografie Bol: http://www.artsalonholland.nl/grote-meesters-kunstgeschiedenis/ferdinand-bol
Elisabeth Bas, ca. 1640 (Ferdinand Bol) (1616-1680) Locaton TBD
Paulus Moreelse, Een mesije met een spiegel, 1627, Fitzwilliam Museum, University of Cambridge, U.K.
Paulus Moreels, Girls Generation, Moreel 15711638, Moreel Dutch, 17Th Century, 1571 1638, Photo, Fitzwilliam Museums, Dutch 15711638
Paulus Moreelse (Dutch, 1571 –1638) : A Girl with a Mirror, 1627. Fitzwilliam Museum, University of Cambridge.
Girl with an iPad, an Allegory of Consumerism, after Paulus Moreelse | Flickr - Photo Sharing!
Francisco de Zurbarán, Saint Casilda, ca. 1630
De Zurbarán, Saint Casilda, Oil On Canvas, Santa Casilda, Francisco De, Fabrics Paintings, Santacasilda, De Zurbaran, Museo Thyssen Bornemisza
FRANCISCO DE ZURBARÁN. Santa Casilda (1630) Museo Thyssen Bornemisza, Madrid
Francisco de Zurbarán Saint Casilda ca. 1635 oil on canvas, 171 x 107 cm Inv. 448 (1979.26) Madrid, Museo Thyssen-Bornemisza
Francisco De Zurbarán (1598 – 1664). Santa Casilda, between 1638-1642. Oil on canvas, 171 x 107 cm. Museo Thyssen-Bornemisza, Madrid. [Pinned 2-vi-2015]
Francisco de Zurbarán, Saint Casilda, c. 1630…the fabric painting is beautiful
'Santa Casilda' by Francisco de Zurbaran (*what i find most striking about his art.. not the people but the fabrics.. he isn't good with faces but wow the way the fabric drapes and is shadowed is perfect-Mel*)
Gerard Dou, De Waterzuchtige, 1663, olieverf op hout, 83 x 67 cm, Musée National du Louvre, Parijs - Biografie Dou: www.artsalonholla...
Century Art, Louvre, Art Paintings, Gerrit Dou, Dou 1663, Kunstschild Gerrit, Louvre Paris, Gerard Dou, Dropsic Woman
The Dropsical Woman - Gerrit Dou
Gerard Dou - The Dropsical Woman
The Dropsical Woman by Dou (1663) Oil on wood, 86 x 67 cm Musée du Louvre, Paris
Gerard Dou, Portret van een oude lezende vrouw, ca. 1630-35, olieverf op paneel, 71 x 55.5 cm, Rijksmuseum, Amsterdam.
Gerarddou, Rembrandt, Gerritdou, Women Reading, Gerrit Dou, Woman Reading, Painting, Golden Age, Gerard Dou
Gerald Dou, Portrait of an Old Woman Reading, c.1630-1635. From Portraits of Women Reading
Rembrandt’s Mother, entitled ‘Old Woman Reading’ (1640) by the Dutch painter Gerard Dou (1613-1675). This piece of art was created in 1630. Titled “Old Woman Reading a Bible” OLD WOMAN READING (Rembrandt's Mother), 1631 by Gerrit DOU [Dutch Baroque Era Painter, Dutch Golden Age painter. "He specialised in genre scenes and is noted for his trompe l'oeil "niche" paintings and candlelit night-scenes with strong chiaroscuro.
The Lovesick Maiden Jan Steen (Dutch, Leiden 1626–1679 Leiden) Date: ca. 1660 Medium: Oil on canvas Dimensions: 34 x 39 in. (86.4 x 99.1 cm) Classification: Paintings Credit Line: Bequest of Helen Swift Neilson, 1945 Accession Number: 46.13.2
The Doors, Steen Dutch, Oil On Canvas, Jan Steen, Lovesick Maiden, Old Man, Art History, New York, Metropolitan Museums
Jan Steen (Dutch, 1626–1679) "The Lovesick Maiden", ca. 1660 ~ Doctors were familiar targets of parody in Steen's native Leiden, the home of a famous medical school. Borrowing from the comic stage, Steen identifies the old man as a quack by his peculiar clothing, while the nature of the young lady's malady is suggested by the cupid over the door, and other intimations like the open bed.
Jan Steen - The Lovesick Maiden [c.1660] on Flickr. Doctors were familiar targets of parody in Steen’s native Leiden, the home of a famous medical school. Borrowing from the comic stage, Steen identifies the old man as a quack by his peculiar clothing, while the nature of the young lady’s malady is suggested by the Cupid over the door, and other intimations like the open bed. [Metropolitan Museum of Art, New York - Oil on canvas, 86.4 x 99.1 cm]
Jan Steen: The Lovesick Maiden (46.13.2) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Kongo nobleman in Kongo-Portuguese dress, by Albert Eckhout- 17th century
European Art, Miguel De, De Castro, Africans American, 17Th Century, Africans Art, Black History, Don Miguel, Albert Eckhout
17th century painting of the dutch painter Albert Eckhout showing the nobleman Don Miguel de Castro from the Kingdom of Kongo during a commercial trip to the portuguese colony of Brazil.
People of Color in European Art History: "The all-white reinvention of Medieval Europe commonly depicted in popular fiction, films, tv shows and art is entirely that: a fiction. An invention. An erasure. Obviously, people of color have been an essential and integral part of European life, European art, and European literary imagination since time immemorial."
Kongo Nobleman - Wagadu
Frances Teresa Stewart, Duchess of Richmond and Lennox (1647-1702), as Diana, she served as the model for an idealised, female Britannia. by Adrianus van Isselsteyn (Haarlem 1627/47-1684 Utrecht)
Century Art, Century Female, British Aristocracy, 17Th Century, Portraits 1630 1719, Lennox 1647 1702, Celestial Virgin, British Isle, 1627 47 1684 Utrecht
"Lady Frances Cavendish, Lady Maynard", attr. Marcus Gheeraerts the younger, ca. 1612; NT 1129107
Lady Maynard, Cavendish 1595 1613, 17Th Century, Historical Fashion, Art, Lady France Cavendish, 1500S Fashion, 1600 1620 Female, Marcus Gheeraert
Lady Frances Cavendish (1595–1613), Lady Maynard by Marcus Gheeraerts the younger (attributed to)
It's About Time: 1500s Fashion - Ruffs Galore attributed to Marcus Gheeraerts the younger, Flemish artist, 1561-1635 or his school
1670 Dudleia Cullum, née North, Lady Cullum by Sir Peter Lely. Daughter of Sir Henry North, 1st Baronet, and Sarah Rayney. Married Sir Thomas Cullum, 2nd Bt., in 1656. Neither of their two sons left descendants, but her brother Peregrine was an ancestor of the Sir Charles Bunbury who married Lady Sarah Lennox of the famous Lennox sisters.
1670 Dudleia Cullum, née North, Lady Cullum by Sir Peter Lely
English Artists, Lady Cullum, Peter Leli, Peter O'Toole, Artists Sir, Née North, Oil On Canvas, Sir Peter, Dudleia Cullum
Portrait of Dudleia Cullum, née North, Lady Cullum, by the English artist Sir Peter Lely. Oil on canvas, circa 1670. 74 cm x 62 cm. Courtesy of the collections of the St Edmundsbury Museums.
Sophia of the Palatinate, more commonly referred to as Sophia of Hanover, was born October 14,1630. She was the eldest surviving child of Elizabeth of Bohemia, daughter of James I. Sophia of Hanover was the only suitable choice as heir to the British throne and was made heiress presumptive by parliament in 1701. Only a Protestant could take the throne since Queen Mary died without children; Queen Anne’s children did not survive past infancy. Thus, Princess Sophia started the Hanoverian line.
Queen Anne, Princesses Palatin, Historical Portraits, Vans Honthorst, Palatin 1641 Gerard, Unknown Artists, Elizabeth Stuart, 1641 Gerard Vans, Princesses Sophia
♔ Portrait of Sophia, Princess Palatine (1641). Gerard van Honthorst.
Sophie of the Palatinate, later Electress of Hanover, ca. 1645, by an unknown artist (possibly her sister Louise)Sophia of Hanover Father: Frederick V of Bohemia Mother: Elizabeth Stuart (daughter of James I) Born: Oct 13, 1630 at The Hague Married: Ernst August, Elector of Hanover, on September 30, 1658 Children: 7 children. Her eldest was George who became King George I of England Died: June 8, 1714
Portrait of Sophia, Princess Palatine (1641) by Gerrit von Honthorst. Painted when she was 11 years old, Princess Sophia was the mother of George I, the first Hanoverian King of England who succeeded Queen Anne.
Portrait of an Artist Hyacinthe François Rigau y Ros, called Hyacinthe Rigaud, 27.9 x 22.9 cm (11 x 9 in.) Oil on canvas Classification: Paintings Accession number: 74.16 Bequest of Charles Sumner
Paintings Accessible, Oil On Canvas, 229 Cm, Canvas Classification
Anatomia per uso et intelligenza del disegno ricercata... Bernardino Genga and Charles Errard 1691 "The association between death and anatomy continued in art anatomy, even as it waned in medical texts. Genga, a Roman anatomist, specialized in studies of classical sculptures. Errard, court painter to Louis XIV, helped found the Académie Royale de Peinture and was first Director of the Académie de France in Rome."
Skull, Anatomy Art, Del Disegno, Death, Bones, Illustration, Bernardino Genga, Skeletons, Art Pictures
[IMAGE: "Engraving of a memento mori scene of two skeletons at top gazing into each others’ eyes over a large cauldron turned so that the viewer can see into it as it holds numerous skeletons and decaying bodies; at lower right is a skeleton with wings like an angle looking into the cauldron; from Bernardino Genga’s Anatomia per uso et intelligenza del disegno, NLM Call no.: WZ 250 G329an 1691."] Plate 2
Bernardino Genga (1636?-1734?) [anatomist] Charles Errard (1609?-1689) [artist] The association between death and anatomy continued in art anatomy, even as it waned in medical texts. Genga, a Roman anatomist, specialized in studies of classical sculptures. Errard, court painter to Louis XIV, helped found the Académie Royale de Peinture and was first Director of the Académie de France in Rome. #skull #skulls #obsessedwithskulls
Anatomia per uso et intelligenza del disegno ricercata... Old anatomy art by Charles Errard #art #anatomy #drawings
Human Anatomy Art | human anatomy art picture from google
From Bernardino Genga's Anatomia, my go-to inspirational source for all things beautifully morbid. NB. These illustrations were drawn from real models.
1644-1648 Portrait of a Lady with a Veil Diego Velazquez Oil on canvas, 93 x 68.5 cm Wallace Collection
Spanish Painters, Diego Velázquez, Spanish Art, Del Abanico, Fans, Dama Del, Diego Velazquez, Portraits, Several La
Diego Velázquez (Spanish 1559–1660) [Baroque, Portrait] The Lady with a Fan, 1640. Wallace Collection, London.
Diego Velázquez (Spanish painter, 1599–1660) Lady with a Fan
La dama del abanico - (Diego Velazquez)
Diego Velázquez. Dama del Abanico. c 1635. Wallace Colection. Londres. La dama lleva mantilla, abanico y rosario los elementos característicos de la mujer española. #Spain #Art #Paintings
Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares, ca. 1635. The Metropolitan Museum of Art, New York. Fletcher Fund, 1952 (52.125) | In full armor and holding a baton, the Count-Duke of Olivares is shown as a victorious commander. His horse holds a dressage position known as a levade. #mustache #movember
Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid) Date: ca. 1635 Medium: Oil on canvas Dimensions: 50 1/4 x 41 in. (127.6 x 104.1 cm) Classification: Paintings Credit Line: Fletcher Fund, 1952 Accession Number: 52.125
Don Gaspar, Velazquez Diego, Oil On Canvas, Gaspar De, Diego Rodríguez, Art History, Velázquez Diego, Diego Velazquez, Metropolitan Museums
Velazquez, Diego (1599-1660) - 1635c. Don Gaspar de Guzman (Metropolitan Museum of Art, New York City), for more please visit http://www.painting-in-oil.com/artworks-Goya-Francisco-de-page-1-delta-ALL.html
"Don Gaspar de Guzman, Count-Duke of Olivares" -- Circa 1635 -- Velázquez (Diego Rodríguez de Silva y Velázquez -- Spanish -- Oil on canvas -- The Metropolitan Museum of Art, New York
Diego Velazquez: Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares (ca. 1635) Metropolitan Museum of Art:
Velázquez (Diego Rodríguez de Silva y Velázquez): Don Gaspar de Guzman (1587-1645), Count-Duke of Olivares (52.125) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
A Maid Asleep Johannes Vermeer (Dutch, Delft 1632–1675 Delft) Date: 1656–57 Medium: Oil on canvas Dimensions: 34 1/2 x 30 1/8 in. (87.6 x 76.5 cm) Classification: Paintings Credit Line: Bequest of Benjamin Altman, 1913 Accession Number: 14.40.611
Johannes Vermeer, Maids Asleep, Girls Asleep, Girls Generation, Oil On Canvas, Woman Asleep, Jan Vermeer, New York, Metropolitan Museums
A Woman Asleep at a Table by: Jan Vermeer c. 1657; Oil on canvas, 87.6 x 76.5 cm; Metropolitan Museum of Art, New York
Johannes Vermeer A Girl Asleep 1657 Oil on canvas, 87.6 × 76.5 cm Metropolitan Museum of Art, New York
A Maid Asleep (A Woman Asleep at Table) - Johannes Vermeer. c.1657. Oil on canvas. 87.6 x 76.5 cm. Metropolitan Museum of Art, New York City NY, USA.
Johannes Vermeer | A Maid Asleep | The Metropolitan Museum of Art
James Stuart (1612–1655), Duke of Richmond and Lennox Anthony van Dyck (Flemish, Antwerp 1599–1641 London) Date: ca. 1634–35 Medium: Oil on canvas Dimensions: 85 x 50 1/4 in. (215.9 x 127.6 cm) Classification: Paintings Credit Line: Marquand Collection, Gift of Henry G. Marquand, 1889 Accession Number: 89.15.16
James Of Arci, Stuart 1612 1655, 17Th Century, Metropolitan Museum, James D'Arcy, Anthony Vans Dyck, James Stewart, Dyck Flemish, James Stuart
James Stuart by Anthony van Dyck Date: 1634-1635 In the first half of the 17th century, men's wore the falling band collar
Anthony van Dyck (Flemish, 1599–1641). James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1634–35. The Metropolitan Museum of Art, New York. Arrogant young duke with a dog that loves him. It says something. :o)
Sir Anthony van Dyck, James Stewart, Duke of Richmond, and Duke of Lennox c1637
"The Lute Player" by Valentin de Boulogne (1626) at the Metropolitan Museum of Art, New York - From the curators' comments: "This canvas, showing a soldier of fortune singing a love madrigal, is unique in Valentin’s career. It is perhaps emblematic of the sobriquet he took in Rome: Amador, Spanish for "lover boy.""
The Lute Player Valentin de Boulogne (French, 1591–1632) Date: ca. 1626 Medium: Oil on canvas Dimensions: 50 1/2 x 39 in. (128.3 x 99.1 cm) Classification: Paintings Credit Line: Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund; funds from various donors; Acquisitions Fund; James and Diane Burke and Mr. and Mrs. Mark Fisch Gifts; Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest, 2008 Accession Number: 2008.459