Art in "The Goldfinch"
"It's there in the light-rinsed atmosphere, the brush strokes he permits us to see, up close, for exactly what they are -- hand worked flashes of pigment, the very passage of the bristles visible -- and then, at a distance, the miracle, or the joke as Horst called it, although really it's both, the slide of transubstantiation where paint is paint and yet also feather and bone." p.766
Goldfinch Carel, Fabritius Goldfinch, Donna Tartt, Het Puttertje
This was one of the most striking images at the High Museum show last year. While "The Girl with a Pearl Earring" is the centerpiece of the Frick show about Dutch painters (there until mid-January 2014), this Fabritius painting titled "The Goldfinch" rates a close second place!
The Goldfinch (1654) by the Dutch painter Carel Fabritius (1622-54), a pupil of Rembrandt and reputed teacher of Vermeer, who was killed in by the Great Delft Explosion – when a gunpowder store in the city blew up.
Carel Fabritius-1622-1654 The Goldfinch 1654. One of my favourite paintings - it is at the centre of the new Donna Tartt book - The Goldfinch.
The painting that the books story revolves around., -Carel Fabritius, The Goldfinch, 1654 The Goldfinch by Donna Tartt.
Carel Fabritius, Het puttertje (The Goldfinch) , 1654. Photo: Royal Picture Gallery Mauritshuis, The Hague
Het Puttertje (The Goldfinch) / Carel Fabritius, 1654 (one of Rembrandt's most gifted pupils)
Carel Fabritius, Goldfinch. 1654 | from reading The Goldfinch by Donna Tartt (2013)
Carel Fabritius -Goldfinch-1654, at Mauritshuis, The Hague, Netherlands
Carel Fabritius, The Goldfinch, 1654 The Goldfinch by Donna Tartt.
File:Fabritius-vink.jpg - Wikipedia, the free encyclopedia
Flowers in a Crystal Vase, Edouard Manet, ca. 1882, p.754. ("One -- flowers in a glass -- I dimly recognized as a Manet." One of a few flowers-in-glasses by Manet.)
Manet Flower, Crystal Vase, Art Flowers, Edouard Manet, 1832 1883, Life Painting, Oil Painting
Manet was an expert in still life paintings and could paint only flowers at the end of his life when he was ill.
Add museum-worthy appeal to your living room or study with this eye-catching canvas giclee print of Edouard Manet's Flowers in a Crystal Vase. Product: Canvas giclee printConstruction Material: Canvas and woodFeatures: Reproduction of original work by Edouard Manet Gallery wrappedMade in the USA Arrives ready to hang
Edouard Manet (1832-1883) - "Flowers In A Crystal Vase " . 1882 \\ they are precious and priceless, painted while Manet lay dying.
Édouard Manet (1832-1883). Flowers in a Crystal Vase. C. 1882. Oil on canvas. National Gallery of Art - Washington - USA
https://flic.kr/p/95s9af | Edouard Manet - Flowers in a Crystal Vase at National Art Gallery Washington DC | Edouard Manet - Flowers in a Crystal Vase, 1882 East Wing - National Art Gallery Washington DC
Trademark Fine Art ''Flowers In a Crystal Vase'' Canvas Wall Art
Flowers in a Crystal Vase II Oil Painting By Edouard Manet
Flowers in a Crystal Vase, Edouard Manet 1832-1883
Edouard Manet flower painting
Needlework sampler, Alice Mather, 1774, p.749. (Example of sampler similar to gift for Hobie: "a child's needlework sampler, vine-curled alphabet and numerals, stylized farm animals worked in crewel, Marry Sturtevant Her Sample-r Aged 11 1779." This appears to be cross-stitch, not crewel-work.)
Antique Needlework, Antique Embroidery, Antiques Ethnics, Antique Samplers, Needlework Sampler, American Samplers, Early Sampler
American Sampler ~ Alice Mather ~ 12 years old ~ 1774 ~ The reclining shepherdess figure was popular on canvaswork pieces in Boston in the mid-18th century and the palm tree became a signature characteristic on later work stitched at the Misses Pattens' school in Hartford. Silk on linen with a printed chintz border.
Alice Mather included a scenic panel with the unusual addition of a floral chintz border. The stitched black background appeared in Norwich in the 1760s, as did a Greek key pattern. The blue house is found on earlier Norwich canvaswork and the same verse (Proverbs31:10) is found on a sampler worked by Naby Lord of Norwich in 1765.The reclining shepherdess was popular on canvaswork in Boston and the palm tree characteristic of later work from the Misses Pattens' school in Hartford.
Alice Mather antique sampler from Carol & Stephen Huber
Florence Griswold Museum | Home of American Impressionism
A Lady and Gentleman in Black, Rembrandt, 1633, p.741. Perhaps the Rembrandt recovered by Boris's tip ("people in a dark room"), stolen in the same heist as the Rembrandt seascape in 1990. Has not resurfaced.
Art Heist, Black 1633, Stewart Gardner, Isabella Stewart
"Portrait Of A Lady And Gentleman In Black" -- 1633 -- Rembrandt van Rijn -- Dutch -- Oil on canvas -- 1 of 13 works of art (worth a total of $500 million USD) stolen from the Isabella Stewart Gardner Museum in Boston in March of 1990. Whereabouts unknown.
Rembrandt | A LADY AND GENTLEMAN IN BLACK | 1633 | Oil on canvas | 131.6 cm × 109 cm (51.8 in × 43 in) | The biggest art theft in American history occurred at the Isabella Stewart Gardner Museum in Boston on March 18, 1990: Rembrandt’s “Lady and Gentleman in Black,” remain unrecovered. (Web Art Academy, 18 Jan, 2011)
Stolen from the Isabella Stewart Gardner Museum, Boston, MA, 18 March 1990. Rembrandt, A Lady and Gentleman in Black, 1633. Oil on canvas, 131.6 x 109 cm.
Rembrandt, A Lady and Gentleman in Black, 1633. Oil on canvas, 131.6 x 109 cm. Stolen from the Isabella Stewart Gardner Museum, Boston, MA, 18 March 1990.
Stolen in 1990 from the Isabella Stewart Gardner Museum: Rembrandt, A Lady and Gentleman in Black, 1633. Oil on canvas.
Rembrandt, A Lady and Gentleman in Black, 1633. The painting hung in the Isabella Stewart Gardner Museum of Boston, Massachusetts, United States, prior to being stolen on March 18, 1990. To this day, the painting has not resurfaced. A $5-million reward is offered for the return of the stolen items.
Stolen in 1990 from the Isabella Stewart Gardner Museum: Rembrandt, A Lady and Gentleman in Black, 1633. Oil on canvas. - FBI's site for more info on stolen works and reward for their return,
A Lady and Gentleman in Black: 1633 by Rembrandt - Stolen in 1990 from the Isabella Stewart Gardner Museum
REMBRANDT, A LADY AND GENTLEMAN IN BLACK, 1633 The FBI announced it believes it knows who was responsible for one of the most significant art heists in the United States - the 1990 theft of 13 precious works, once valued at $500 million, from Boston's Isabella Stewart Gardner Museum. The FBI are offering a $5 MIllion Reward for information leading to their recovery. If you have a tip, call 800-CALL-FBI.
Christ in the Storm on the Lake of Galilee, Rembrandt, 1633, p.741. This is the painting that Theo hopes has been recovered ("One was a Rembrandt." "Not a seascape?" "No -- people in a dark room."). Stolen in 1990, still missing; one of the most famous and valuable missing artworks in the world.
Galilee 1633, Sea Of Galilee, Rembrandt Harmenszoon, Isabella Stewart, Rembrandt Painting, Oil Painting
Christ in the Storm on the Sea of Galilee - 1633, Rembrandt, Dutch, 1606-1669 / On the night of March 18, 1990, a pair of thieves disguised as Boston police officers entered the Isabella Stewart Gardner Museum and roamed the Museum’s galleries, stealing thirteen works of art including this one.
Rembrandt Harmenszoon van Rijn (Dutch 1606–1669) [Dutch Golden Age, Baroque] Christ in the Storm on the Sea of Galilee, 1633. Oil on canvas, 160 x 128 cm. Stolen 18 March 1990 from Isabella Stewart Gardner Museum, Boston.
Stolen. Christ in the Storm on the Sea of Galilee, 1633, oil on canvas by Rembrandt, 1606-1669, Dutch. This is the artist’s only known seascape. Sailors try to control a wildly tossing ship as an immense calm reigns around Christ. Stolen and never recovered along with a number of other works of art from the Isabella Stewart Gardner Museum on St. Patrick’s Day 1990 in Boston, Massachusetts, USA.
Rembrandt Harmenszoon van Rijn (Dutch, 1606–1669) - The Storm on the Sea of Galilee (1633), 160 cm × 128 cm
"The Storm On The Sea Of Galilee" -- 1633 -- Rembrandt van Rijn -- Dutch -- Oil on canvas -- 1 of 13 works of art (worth a total of $500 million USD) stolen from The Isabella Stewart Gardner Museum in Boston in 1990. Whereabouts unknown.
Christ in the Storm on the Sea of Galilee, 1633, Rembrandt, Dutch, 1606-1669, Oil on canvas, 160 x 128 cm
Rembrandt Harmenszoon van Rijn(1606 –1669)-BAROGUE-(The Storm on the Sea of Galilee_1633)Oil on canvas(160x128cm)
Strand von Scheveningen bei stürmischen Wetter, Vincent Van Gogh, 1882, p.741. This is probably the Van Gogh seashore that is recovered through Boris's tip. Stolen in 2002 and has not resurfaced.
Vincent Vangogh, Gogh Beach, Gogh Vincent, Van Gogh Museum, Vincent Van Gogh, Gogh Strand
Vincent van Gogh "Beach at Scheveningen in Stormy Weather"/ August 1882, The Hague/ Oil on canvas on cardboard, 35 x 51 cm/ Stedelijk Museum, Amsterdam
Van Gogh - Strand von Scheveningen bei stürmischen Wetter. (View of the Sea at Scheveningen) This painting was stolen from the Van Gogh Museum on December 7, 2002
Beach with Figures and Sea with Ship, by Vincent van Gogh (1882) Oil on Paper on Cardboard. Description from creative.sulekha.com. I searched for this on bing.com/images
View of the Sea at Scheveningen, by Vincent Van Gogh in 1882, stolen by two thieves from the Vincent Van Gogh Museum, Amsterdam, Netherlands in December 2002.
Vincent Van Gogh - Strand von Scheveningen bei stürmischen Wetter. (Beach at Scheveningen in stormy weather). Stolen. Location unknown as of 2013.
Impressionism Van Gogh | Vincent van Gogh, 1853-1890, painted magical European landscapes and ...
View of the Sea at Scheveningen - Van Gogh, 1882, Van Gogh Museum, Amsterdam, Netherlands. This painting is one of two stolen from the Vincent van Gogh Museum in Amsterdam in Dec 2002. Two thieves broke into the building through the roof, and managed to steal Congregation Leaving the Reformed Church in Neunen and View of the Sea at Scheveningen in just a few minutes. Dutch police convicted two men a year later, the paintings remain unrecovered.
White Duck, Jean Baptiste Oudry, 1753, p.741, stolen in 1992; has not resurfaced. Perhaps the painting of a "dead duck" recovered by Boris's tip.
Life Paintings, Animal Paintings, Baptiste Oudry S, The White Duck 1753 Jpg 463, Jean Baptiste Oudry, Art Still Life, Oil Painting, Oudry Wikipaintings
stolen from Houghton Hall in 1992. This oil painting The White Duck by Jean-Baptiste Oudry File:Cholmondeley Oudry White Duck.jpg
This artwork was stolen from Houghton Hall in 1992. The White Duck by Jean-Baptiste Oudry was valued at ₤5-million; and it has not re-surfaced. Date 1753 Jean-Baptiste Oudry (1686–1755)
Still Life with Hare, Duck, Loaf of Bread, Cheese and Flasks of Wine - Jean-Baptiste Oudry - WikiPaintings.org
cryrabbitcry: auschwitches: abystle: xeirinix: a-l-ancien-regime: sealmaiden: Jean Baptiste Oudry 1686-1755 The white Duck 1753
androphilia: sealmaiden: Jean Baptiste Oudry 1686-1755 The white Duck 1753
Lost artworks White Duck by Jean-Baptiste Oudry Est. (2006) $8,800,000 USD
A Hare and a Leg of Lamb - Jean-Baptiste Oudry - WikiPaintings.org
Jean-Baptiste Oudry's The White Duck, which was stolen in 1990
L'hallali du loup - Jean-Baptiste Oudry - WikiArt.org
A view of the Maas with Dordrecht beyond, Jan van Goyen, 1640, p.580 (example; "I much prefer the van Goyen there ... many amusing details up close -- tiny hunter, barking dog. Also -- quite typical -- signed on the stern of the boat." This painting is signed on the rowboat.)
Art Mentioned, Donna Tartt S, Goldfinch Art, Dordrecht Op, Goyen Art
Jan van Goyen - Gezicht op de Maas met Dordrecht op de achtergrond
Jan van Goyen (A view of the Maas with Dordrecht beyond)
Italian Landscape with Mountain Plateau, Nicolaes Berchem, 1655, 13"x17", p. 577-8 ("Still, the Berchem is very good ... this is lovely ... Italy, 1655 ..... the ochres beautiful, no?")
Italianate Painter, Italian Landscape, Berchem Nicolaes, Italy 1655, Mountain Plateau, Plateau 1655
BERCHEM, Nicolaes (b. 1620, Haarlem, d. 1683, Amsterdam) Click! Italian Landscape with Mountain Plateau 1655 Oil on panel, 33 x 44 cm Royal Collection, Windsor Nicolaes Berchem probably was in Italy between 1653 and 1655. It is however clear that this Italian landscape was influenced by the Italianate painter Jan Asselyn.
Italian Landscape with Mountain Plateau, Nicolaes Berchem, 1655, 13" x 17".
Italian Landscape with Mountain Plateau, 1655 - Nicolaes Berchem
Vanitas, Pieter Claesz, 1625, p.577 ("the Claesz and Berchem are for sale if you're interested ... Pieter ... the reflection of the flame here? and the edge of the table, the drapery?")
Vanitasstilleven Google, Claesz Vanitas, Claeszoon Vanitas, Vanitas Google, Vanitas Paintings, Pieter Claeszoon, Life Painting, Vanitas Still Life, Vanitas 1625
Image detail for -File:Pieter Claeszoon- Vanitas - Still Life (1625, 29,5 x 34,5 cm).JPG ...
File:Pieter Claeszoon- Vanitas - Still Life (1625, 29,5 x 34,5 cm).JPG
jacques linard | Vanitas - Still Life (Pieter Claesz, 1625)
Pieter Claeszoon-Vanitas - Still Life (1625)
Pieter Claesz (c. 1597-1660)He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1621, where his son, the landscape painter Nicolaes Pieterszoon Berchem was born. He and Willem Claeszoon Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or breakfast piece. They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression. Claesz generally chose objects of a more homely kind than Heda, although his later work became more colourful and decorative. Claesz's still lifes often suggest allegorical purpose, with skulls serving as reminders of human mortality. The two men founded a distinguished tradition of still life painting in Haarlem. Picture is in the Vanitas style, emphasizing the vanity and transience of life
vanitasstilleven - Google zoeken
Pieter Claeszoon, Vanitas (1625)
vanitas painting - Google Search
vanitas - Google Search
Pieter Claesz - Wikipedia, the free encyclopedia
Tapestry from Amiens, ca. 1650, p.572 & 582 (an example; "a tapestry, a good one too, eighteenth century or older, the near twin of an Amiens I'd seen at auction [for 40,000 pounds] ... [with a mythological subject].")
Book Club, Mythological Subject, 40 000, Eighteenth Century, 572 582, Costume, Amiens I D, Goldfinch Art
The Hundred Guilder Print, Rembrandt, 1646-50, p.569 ("the Hundred Guilder Print as it was called: the price that Rembrandt himself, according to legend, had been forced to pay to buy it back.")
Rijksmuseum Amsterdam, 100 Guilder, Guilder Print, Print Rembrandt, 1649 Etching, Rembrandt Van Rijn, Rembrandt Etchings
Rembrandt. The Little Children Being Brought to Jesus ("The 100 Guilder Print"). 1647-49. Etching and drypoint, 1st state. Rijksmuseum, Amsterdam, the Netherlands.
Rembrandt (1606-1669) The Hundred Guilder Print Etching, drypoint, burin c1647-c1649 38.8 x 27.8 cm (15.28" x 10.94") Rijksmuseum (Amsterdam, Netherlands)
Rembrandt van Rijn, Christ with the Sick around Him, Receiving the Children (Hundred-Guilder Print), ca. 1649. Etching. Northern Baroque
hrist Preaching (Hundred Guilder Print), Rembrandt Harmensz. van Rijn, c. 1646 - c. 1650 etching, h 282mm × w 395mm. More details: https://www.rijksmuseum.nl/en/explore-the-collection/overview/rembrandt-harmensz-van-rijn/objects#/RP-P-OB-601,21
The Hundred Guilder Print Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date: ca. 1649 Medium: Etching, engraving, and drypoint; second state of two Dimensions: plate: 11 x 15 1/2 in. (28 x 39.3 cm) Classification: Prints Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 Accession Number: 29.107.35
Rembrandt - Christ Preaching (Hundred Guilder Print) 1643-49 Etching with dryoint
The Hundred Guilder Print - Rembrandt Van Rijn - www.rembrandtonline.org
Rembrandt van Rijn - The Hundred Guilder Print, c. 1647–1649, etching
Rembrandt etching 1647-1649 - Christ Preaching
Still Life of Flowers, Fruit, Shells, and Insects by Balthasar van der Ast, 1629, p.498 (example; "and two loaned van der Asts")
Watercolor Painting, Life Flowers, Flowers Fruit, Insects Balthasar, Fruit Shells, Ast Dutch, Life Painting
Still Life of Flowers, Fruit, Shells, and Insects by Balthasar van der Ast (1593-1657), Dutch painter
"Still Life of Flowers, Fruit, Shells, and Insects." Balthasar van der Ast, Dutch, (1593/4 - 1657). Oil on oak panel. About 1629. Painting.
"Still Life of Flowers, Fruit, Shells, and Insects." Balthasar van der Ast, Dutch, (1593/4 - 1657). Oil on oak panel. About 1629. Painting. Collection of the Art Fund, Inc. at the Birmingham Museum of Art.
Still Life of Flowers, Fruit, Shells, and Insects. Balthasar van ser Ast 1629. This painting was chosen for this collection because it was the original painting that inspired me to better under the connotations because dutch still, and because it symbolizes the meaning of "fading"
Balthasar van der Ast Still Life of Flowers, Fruit, Shells, and Insects, painting Authorized official website
Still Life of Flowers, Fruit, Shells, and Insects by Balthasar van der Ast-BMAPublic Domainview terms Balthasar van der Ast (1593/1594–1657) - Sean Pathasema
Still Life of Flowers, Fruit, Shells, and Insects. BALTHASAR VAN DER AST, DUTCH, 1593/4 - 1657
I had started a series of botanical watercolor paintings of orchids, but on several occasions now, I've had requests for paintings on canvas. I've enjoyed the diversion from the computer art which is such a different process. The last one that I did was of a still life that I staged of some grapes that we had growing, a bottle of wine and a half a glass of wine. The staging reminded me of paintings by artists like the 17th century, Dutch painter, Balthasar van der Ast.
food still life painting dutch - Google Search
Drake-Front Queen Anne Highboy, New England, antique but refinished, appraised $200,000 intact, $30,000 refinished, p.496 ("We had an important drake-front highboy, Queen Anne, that during the lean days I'd tried despairingly to sell at the correct price, which on the low end was somewhere in the two hundred thousand range.")
30 000, 000 Refinished, Queen, Front, 200 000, Anne Highboy, Antique, 000 Intact
Queen Anne Highboy, ca. 1770 on Antiques Roadshow
Thomas Affleck Chest-on-Chest, sold at auction for $882,500; Theo passed off Hobie's work as an Affleck chest-on-chest to Lucius Reeve, for $75,000, p.492 ("if he thought that chest was an Affleck, he has more money than sense. To pay seventy-five thousand --")
500 Theo, Antique Furniture, Book, 882 500, Affleck Chest, Art Furniture, Goldfinch
Queen Anne lowboy in Walnut (not mahogany) from Salem MA Area, 18th C, p.468 ("a mahogany lowboy -- Queen Anne, Salem Massachusetts -- that had been in her mother's familiy since the 1760s.")
Mahogany Lowboy, Queen Anne, Mothers, Salem Massachusetts, Furniture For Artifacts, Anne Lowboy, Lowboy Queen, Products, Art Furniture
Portrait of Mary Clarke, John Singleton Copley, late 1700s, p.446 ("or the John Singleton Copley -- you know, the oval portrait, the tiny one, girl in the bonnet?")
Book Club, Barrett Small, Bust, Americans Middle, 18Th Century, Christie, Art Furniture
Portrait of Mary Clarke, Mrs. Samuel Barrett, small-bust-length
Still Life with Cake, Raphaelle Peale, ca. 1822, p.446 (example; "my Raphaelle Peale")
Still Life, Life Art, 1822 Wikimedia, Cake 1822
It's About Time: A few Still Lifes by Raphaelle Peale (American artist, 1774-1825)
Still Life with Cake by Raphaelle Peale, 1822, (Wikimedia Commons)
Peale, Raphaelle, (1774-1825), Still Life with Cake, 1822, Oil
Brooklyn Museum: American Art: Still Life with Cake
Raphaelle Peale: Still Life with Cake.1822.
Still-Life-with-Cake by Raphaelle Peale
Starlight in Harbor, Fitz Henry Lane, ca.1855, p.446 (example; "my Fitz Henry Lane")
Harbor Fitz, American Paintings, Assume Starlight, Light Harbor
Starlight in Harbor, by Fitz Henry Lane (I must assume Starlight is the name of the ship)
Star Light Harbor, huile sur toile de Fitz Hugh Lane (1804-1865, United States)
Fitz Hugh Lane (1804 - 1865)
Twilight in the Wilderness, Frederic Church, 1860, p.446 (example; "The Frederic Church landscape ...")
American Landscape, Wilderness 1860, Church 1860, Wilderness Painting, Favorite Painting, Landscape Painting, Oil Painting
"Twilight in the Wilderness." Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters. While committed to the natural sciences, he was "always concerned with including a spiritual dimension in his works.
Twilight In The Wilderness Painting by Frederic Edwin Church - Twilight In The Wilderness Fine Art Prints and Posters for Sale
Frederic Edwin Church, Twilight in the Wilderness, 1860's. Oil on canvas, 3'4"X5'4". Cleveland Museum of Art, Cleveland. Church expresses the Romantic notion of the sublime. This was painted during the Civil War and depicts an idealistic view of America free from conflict.
Twilight in the Wilderness ~Frederic Church 1860 Located At: Cleveland Museum of Art, Cleveland Ohio
Church Frederic Edwin（1826 – 1900 an American landscape painter）「Twilight in the Wilderness」
Twilight in the Wilderness- Frederic Edwin Church my favorite Painting
I want this painting by Frederic Church. An actual oil painting.
Frederic Edwin Church "Twilight in the Wilderness" 1860
Card table, unknown artist originally attributed to Duncan Phyfe, 1810-20, p.444 ("A mahogany games table that from where I stood looked like it might be Duncan Phyfe")
Furniture History, Antique Furniture, Antiques Architecturals, Card Tables, Designs Blog, Dream Antiques, Design Blogs, Art History, Antiques Connecting
Unidentified Maker: Card table [New York City] (31.44.11) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Card table, unknown artist originally attributed to Duncan Phyfe, 1810-20, p.444. (without the rollers, but a popular enough design)
Duncan Phyfe (1770–1854) and Charles-Honoré Lannuier (1779–1819) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Mus...
Card table by an Unidentified Maker. New York City, 1810–20. Mahogany, tulip poplar, brass; 28 1/2 x 36 in. (72.4 x 91.4 cm). The Sylmaris Collection, Gift of George Coe Graves, 1931. The Metropolitan Museum of Art
Unidentified Maker: Card table [New York City] ca 1810-20 The Metropolitan Museum of Art
Card table, 1810–20 Unidentified Maker New York City Mahogany, tulip poplar, brass
~ Duncan Phyfe Mahogany Card Table with Lyre...circa 1810 ~
The Board - MacRae Designs Blog: Duncan Phyfe
Rest on the Flight into Egypt, School of Rembrandt, 1620-69, p.443 ("nine or ten Old Master drawings: the flight into Egypt ... circle of Rembrandt mostly")
Rembrandt Rest, Rijn Rest, Barroc Rembrandt, Rembrandt Drawings, Egypt Circle, Egypt School, Art Rembrandt
Rest on the Flight into Egypt School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Former Attribution:
School of Rembrandt, Rest on the Flight into Egypt
Rembrandt : Rest on the Flight into Egypt
Christ washing the feet of his disciples, Rembrandt, 1665, p.443 ("there was a tiny pen-and-brown-ink of Christ washing the feet of St. Peter that was so deftly done ... it might have been from Rembrandt's own hand.")
Rembrandt Tekeningen Drawings, Rembrandt Drawings, Feet Rembrandt, Classical Drawings, Masterful Drawings, Rembrandts Drawings, Drawings Rembrandt Jpg, Drawings Christ
Rembrandt van Rijn: Drawings CHRIST WASHING THE FEET OF HIS DISCIPLES c. 1655 157 x 221 mm. Rijksmuseum, Amsterdam
rembrandt christ washing feet of his disciples drawing | Christ Washing the Feet of his Disciples
DRAWING. CHRIST WASHING THE FEET OF HIS DESCIPLES. c. 1655. 157 x 221 mm. Rembrandt van Rijn
Rembrandt van Rijn: Drawings CHRIST WASHING THE FEET OF HIS DISCIPLES c. 1655
The Washing of the Feet, Rembrandt Harmensz. van Rijn, 1640 - 1649
rembrandt drawing child learning to walk - Sök på Google
rembrandt drawings - Google Search
Two Studies of a Baby with a Bottle, Rembrandt van Rijn
Herman Doomer, Rembrandt, 1640, p.402 (example; in the current Met holdings for Rembrandt; "Police, acting on a tip, had recovered three paintings -- a George van der Mijn; a Wybrand Hendriks; and a Rembrandt, all missing from the museum since the explosion -- from a Bronx home.")
Doomer Rembrandt, Herman Doomer, Art Rembrandt, Rembrandt Van Rijn, 1650 1640
Herman Doomer (born about 1595, died 1650), 1640 Rembrandt (Rembrandt van Rijn) (Dutch, 1606–1669) Oil on wood The Metropolitan Museum of Art
ONE THAT GOT AWAY! Herman Doomer (born about 1595, died 1650) Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
(Netherlands) Rembrandt Harmenszoon van Rijn (Dutch 1606–1669). Portrait of Herman Doomer, 1640. Oil on panel, 75.2 x 55.2 cm. Metropolitan Museum of Art, New York.
Herman Doomer (born about 1595, died 1650), 1640 Rembrandt (Rembrandt van Rijn) (Dutch, 1606–1669) Oil on wood
Rembrandt (Rembrandt van Rijn) (Dutch, 1606–1669). Herman Doomer (born about 1595, died 1650), 1640. The Metropolitan Museum of Art, New York
NOT Faux: Rembrandt van Rijn (Dutch, 1606–1669). Portrait of Herman Doomer (1595–1650), 1640. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.1)
Rembrandt (Rembrandt van Rijn) (Dutch, 1606–1669). Herman Doomer (born about 1595, died 1650), 1640. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.1) #mustache #movember
Rembrandt van Rijn (1606 - 1669), Herman Doomer (born about 1595, died 1650), 1640. Oil on wood.
Herman Doomer -- Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Wernerus Köhne met zijn knecht Jan Bosch, Wybrand Hendriks, 1787, p.402 (example; "Police, acting on a tip, had recovered three paintings -- a George van der Mijn; a Wybrand Hendriks; and a Rembrandt, all missing from the museum since the explosion -- from a Bronx home.")