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  • Kate Bartholomew

    Ensemble, Mme. Uoll Gross: ca. 1885, American, silk/synthetic/jet/feather. "This dress was designed to be worn in an open top carriage which, at the time, was a social event and everyone had to dress the part. The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette." Marking: Stamped on petersham: "Mme Uoll Gross/136 East 19th St/N. Y."

  • Ivanka Lee

    Carriage Ensemble 1885 The Metropolitan Museum of Art

  • Scoop Erickson

    1885 Carriage Ensemble Mme. Uoll Gros The Metropolitan Museum of Art I love carriage dresses, this one has a little velvet bow wrist muff.

  • P8ronella

    6-11-11 Carriage Ensemble Mme. Uoll Gross, 1885 The Metropolitan Museum of Art

Related Pins

Ensemble Date: ca. 1882 Culture: American Medium: (a,b,c) silk (d) feathers

Jet-beaded burgundy silk velvet carriage dress (back, with dolman and muff), by Mme. Uoll Gross, American, ca. 1885. This dress was designed to be worn in an open top carriage which, at the time, was a social event and everyone had to dress the part. Part of ensemble with matching dolman coat, small muff, and hat with ostrich feathers and geometric jet decoration.

Walking ensemble Date: 1887–88 Culture: American or European Medium: silk, glass Accession Number: 1978.295.10a–c The Metropolitan Museum of Art

Ensemble, Dress (side view) Mme. Uoll Gross Date: ca. 1885 Culture: American Medium: silk, synthetic, jet, feather Accession Number: 2009.300.621a–e

Silk Evening Dress, 1885, American, R.H. White & Co. The bustle silhouette, though primarily associated with the 2nd half of the 19th century, originated in earlier fashions as a simple bump, as with late-17th/early-18th century mantuas and late-18th/early-19th century Empire dresses. The full-blown bustle had its first Victorian debut in the late 1860s, starting as a fullness in skirts moving to the rear. This fullness was drawn up in ties to enable walking, which created a fashionable puff.

Dress Mme. Uoll Gross  Date: 1889 Culture: American Medium: silk, metal Dimensions: Length at CB: 70 in. (177.8 cm) Credit Line: Brooklyn Mu...

Dress (front view) Mme. Uoll Gross Date: 1888 Culture: American Medium: silk, metal Accession Number: 2009.300.618a, b

1878-82 ... Afternoon ensemble .... American ... silk & abalone ... at The Metropolitan Museum of Art ... photo 2

Afternoon ensemble Date: 1885–88 Culture: American Medium: silk, metal Accession Number: 2009.300.2033a–e

1885-1888: "Clothing requirements for most sporting remained strict towards retaining foundation garments such as corsets and bustle, which were thought to stabilize women's frail and weak forms. This example would have been worn for tennis, yachting or general seaside walking. This is a striking example of this type of dress, which is fairly rare in museum collections."