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Korean artist Kim Yong Soo whose artwork, at first glance, takes on the somewhat familiar appearance of traditional Japanese paintings of cherry tree bossoms. Closer inspection reveals a textured assemblage of semi-conductors, speaker wires, and acrylic cement, used to form the delicate tree branches, flowers, and humanoid figures.

Architectural Columns at the Palais de Tokyo Explode into Organic Forms wood installation #built environments #wonderful artitecture #installation architecture|