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Citation: Abstract sketch, ca. 1940 . Charles Green Shaw papers, Archives of American Art, Smithsonian Institution.

Citation: Abstract sketch, ca. 1940 . Charles Green Shaw papers, Archives of American Art, Smithsonian Institution.

Citation: Joan Miró's abstract self portrait, 1961 Nov. 21. Dwight Ripley papers relating to Joan Miró, Archives of American Art, Smithsonian Institution.

Citation: Joan Miró's abstract self portrait, 1961 Nov. 21. Dwight Ripley papers relating to Joan Miró, Archives of American Art, Smithsonian Institution.

Citation: Gouache sketch for World's Fair motorized piece, ca. 1940 . Charles Green Shaw papers, Archives of American Art, Smithsonian Institution.

Citation: Gouache sketch for World's Fair motorized piece, ca. 1940 . Charles Green Shaw papers, Archives of American Art, Smithsonian Institution.

Charles Green Shaw - Rhythmic Organization I, 1940, Oil on canvasboard, 18-1/4 x 14 inches | Signed, dated, and inscribed on verso: Charles Shaw / 1940 / Rhythmic Organization–I

Charles Green Shaw - Rhythmic Organization I, 1940, Oil on canvasboard, 18-1/4 x 14 inches | Signed, dated, and inscribed on verso: Charles Shaw / 1940 / Rhythmic Organization–I

Plastic Rhythms by Charles Green Shaw, 1940, 12 x 16 inches, oil on canvas board | D. Wigmore Fine Art

Plastic Rhythms by Charles Green Shaw, 1940, 12 x 16 inches, oil on canvas board | D. Wigmore Fine Art

Laszlo Moholy-Nagy 긴면들이 이루는 덩어라와 선들의 대비와 조화가 마음에 들어 선정하게 되었습니다. 판보드와 쇠를 이용하려 3차원으로 구성하면 여러 뷰에서 흥미로울 것 같습니다.

Laszlo Moholy-Nagy 긴면들이 이루는 덩어라와 선들의 대비와 조화가 마음에 들어 선정하게 되었습니다. 판보드와 쇠를 이용하려 3차원으로 구성하면 여러 뷰에서 흥미로울 것 같습니다.

A 18 by László Moholy-Nagy. There's a spirituality about the subject that is almost opposite. LOVE IT!

A 18 by László Moholy-Nagy. There's a spirituality about the subject that is almost opposite. LOVE IT!

Citation: Richard Diebenkorn, between 1956 and 1959 . Elmer Bischoff papers, Archives of American Art, Smithsonian Institution.

Citation: Richard Diebenkorn, between 1956 and 1959 . Elmer Bischoff papers, Archives of American Art, Smithsonian Institution.

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