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Titian (Tiziano Vecellio) (Italian, ca. 1485/90?–1576). Venus and Adonis. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.16)

Rare painting of the Italian painter Tiziano Vecellio showing the Ottoman Turkish Sultan Suleiman the Magnificent.

Sandro Boticelli's "The Birth of Venus", 1486, Galleria degli Uffizi, Florence. Most paintings of women during the middle Ages symbolize the Virgin Mary, showing her in a demure appearance with an angelic smile and covered head. So Botticelli's depiction of a beautiful goddess, not only an obvious symbol of pagan mythology but also painted as a nude was groundbreaking.

nytimes.comfrom nytimes.com

Caravaggio, ‘Denial of St. Peter,’ Met Museum of Art

The Denial Of St Peter, Oil by Caravaggio (Michelangelo Merisi) (1571-1610, Italy)The Denial of Saint Peter (La Negazione di Pietro) is a painting finished around 1610 by the Italian painter Caravaggio. It depicts Peter denying Jesus after Jesus was arrested. The painting is housed in the Metropolitan Museum of Art in New York City.

Titian (Italian, ca. 1485/90?–1576) and Workshop. Venus and the Lute Player, ca. 1565–70. The Metropolitan Museum of Art, New York. Munsey Fund, 1936 (36.29) | Much has been written about the meaning of Titian's paintings of Venus. In addition to celebrating love and music (Venus pauses from making music to be crowned by Cupid), they have been thought to address the Neo-Platonic debate of seeing versus hearing as the primary means for perceiving beauty.

Autoritratti / Self-Portraitsfrom Autoritratti / Self-Portraits

Tiziano

Tiziano (Tiziano Vecellio, 1490, Pieve di Cadore - 1576, Venezia), “Autoritratto” / “Self-Portrait”, ca. 1566, Olio su tela / Oil on canvas, 86 x 69 cm, Museo del Prado, Madrid

Andrea Schiavone (Andrea Medulic or Meldolla) (Italian, ca. 1510?–1563). The Marriage of Cupid and Psyche, ca. 1550. The Metropolitan Museum of Art, New York. Purchase, Gift of Mary V. T. Eberstadt, by exchange, 1972 (1973.116)

Auguste Renoir (French, 1841–1919). Madame Georges Charpentier (Marguérite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Émile-Charles (1875–1895), 1878. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Wolfe Fund, 1907 (07.122) #dogs