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-Gian Lorenzo Bernini -Apollo en Daphne -tussen 1622 en 1625 - Galleria Borghese - Rome *Dit beeld is heel realistisch beeldgehouwen. Het mooiste eraan vind ik dat je er veel beweging in ziet: je ziet dat Daphne al aan het veranderen is in een boom.

A Goddess (Persephone), 20 BC-50 AD, Greek, after a work of about 340 BC, Marble, 151.1 cm high

Charles Amable Lenoir. A Nymph In The Forest. I wish I had her life...

Baco - Miguel Ángel Buonarroti (Museo Nacional de Bargello - Florencia)

Bernini, The Ecstasy of Saint Teresa, 1745-52. This is the sculpture that sets the standard for all the rest. Bernini had the ability to make marble take on a fleshy, life-like quality which no one had thought possible. Within this work the deep creases and hyperbolic folds of the carmelite nuns habit show how Bernini had the ability to manipulate marble in whatever way he wanted.