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    Jan Lee’s naked raku and saggar-fired works balance a soft elegance of form with the intense crackling electricity of daring smoke patterns. These meticulously smooth vessels serve as a quiet frame for bold swaths of lightning, fracture, and inferno

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    • Javier Montoya

      Jan Lee’s naked raku and saggar-fired works balance a soft elegance of form with the intense crackling electricity of daring smoke patterns. These meticulously smooth vessels serve as a quiet frame for bold swaths of lightning, fracture, and inferno

    • Kerry Gillespie

      Jan Lee pottery at MudFire Gallery

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    June Ridgeway The work is coil built, burnished and saggar fired. Inspiration is from a number of sources: erosion or weathering, just as the patina of age takes its course over any surface subjected to the elements, so the smoke and the added ingredients placed in the saggar, such as salt, wire, oxides, make their unique marks directly on the satin, burnished surface of the piece.

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