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    This skirt is signed in embroidered stitches by its maker, Maria Papadopoula, and dated 1757. The top pleated edge is intended to be worn not around the waist but higher, under the arms, held in place by shoulder straps. It is constructed from five loom-widths of a mixed cotton and linen. The opening down the middle of the central width would have allowed room for it to be put on, and also facilitated breast-feeding.

    patched

    Christine Mauersberger

    Greek No. 3 from Owen Jones: The Grammar of Ornament.

    Tile late 16th century Syria

    Designarkivet

    Million Little Stitches: Mineral

    embroidery from the island of Crete

    Lampas-woven textile with tulips, silk and silver lamella Turkey; 2nd half of 16th century

    Great technique

    17th century Greek Bed Panel

    Designed by George Washington Maher (American, 1864–1926) and Louis J. Millet (American, 1853–1923) for the James A. Patten House in Evanston, Illinois, Portière, 1901

    more circles

    early 18th century silk and satin, ottoman yastik (turkish cushion cover) tulip design

    JUNKO OKO

    Mexican embroidered textiles

    Africa | Shawl from Djerba, Tunisia | Cotton, silk and metallic thread; with a central pattern on white squares on a brick-red background, the lower part richly embroidered with horizontal bands of abstract decoration worked in metallic threads with thin stripes || Partial view ~ detail

    Made in Sweden Fabric Curtain

    ceramic

    Block-printed Russian naboyka, from collection of a noblewoman who, from 1870 to the turn of the century, collected and preserved traditional textile art throughout her country

    Sarah Lipska, 1923