In 1929 a map was found. The document was drawn in 1513 by Piri Reis, an admiral of the Turkish fleet in the sixteenth century. It shows the western coast of Africa, the eastern coast of South America, and the northern coast of Antarctica. The Antarctic coastline is perfectly detailed. The most puzzling however is not so much how Piri Reis managed to draw such an accurate map of the Antarctic region 300 years before it was discovered, but that the map shows the coastline under the ice.
Ancient History, Places Artifact, Forbidden History, Maps Drawn, Piri Reis, Ancient Maps, Ancient Aliens, Amazing Maps, Reis Maps
Top 20 Unanswered Forbidden History Questions - MessageToEagle.com
The Piri Reis Map Probably the most famous Out of Place Artifact in the world! Compiled in 1513 from military intelligence by the Ottoman-Turkish admiral and cartographer Piri Reis. The half of the map which survives shows the western coasts of Europe and North Africa and the coast of Brazil with reasonable accuracy. Various Atlantic islands including the Azores and Canary Islands are depicted, as is the mythical island of Antillia and possibly Japan. The map has been used to claim an ancient k
The Piri Reis map -In 1929, a group of historians found an amazing map drawn on a gazelle skin. Research showed that it was a genuine document drawn in 1513 by Piri Reis, a famous admiral of the Turkish fleet in the sixteenth century.
Ancient map out of place artifact.
Ancient Sumerian Texts - King List Sumerian Gods Descended from the Sky Anunnaki
God Descend, Sumerian Texts, Flood Stories, Writing Style, Lists Sumerian, King Lists, Ancient Sumerian, Sumerian God, Sky Anunnaki
The epic of Atrahasis was written on clay tablets in the cuneiform writing style of Sumer.
Cuneiform tablet with the Atrahasis Epic. Babylonian, about 17th century BC, from Sippar, southern Iraq. A version of the Flood story The s...
Ancient Sumerian Texts – King List Sumerian Gods Descended from the Sky Anunnaki
Howard Carter opening the sarcophagus of King Tutankhamun in 1924. Although several of the foremost excavators over the past century had declared there was nothing left to find in the Valley of the Kings, Howard Carter and his sponsor, Lord Carnarvon, spent years and a lot of money searching for a tomb they weren't sure existed. Carter discovered not just an unknown ancient Egyptian tomb, but one that had lain nearly undisturbed for over 3,000 years.
Howard Carter opening the sarcophagus of King Tutankhamun in 1924
781, Archaeology, Anthropology, Ancient Egypt, Archeologist, 1922, King Tutankhamun, 1 253, Abriendo El
Howard Carter opening the sarcophagus of King Tutankhamun in 1924- cool pic, but this guy really didn't know what he was doing. He ruined so many artifacts that could have been preserved if him and his team had been more educated about archaeology.
Howard Carter opening the sarcophagus of King Tutankhamun in 1922
Archeologist Howard Carter opening the sarcophagus of King Tutankhamun in 1924.
Howard Carter opening the sarcophagus of King Tutankhamun in 1924 [781 x 1,253] - Imgur
Howard Carter abriendo el sarcófago de Tutankamón en 1924
Vintage photograph of a real Barnum & Bailey Circus clown
Vintage Photographers, Classic Photo, Old Clowns, Clowns Style, Costume, Baileys Clowns, Ears Barnum, Vintage Wtf, Photo Art
Vintage Barnum & Bailey clown.
I like this picture because it is a real photo of an old clown costume and the picture has a sinister feel.
Sumerian bowl, 6000 BC - Note the swastika in the middle of the plate it's so amazing these artifacts were able to be found
Swastika, Buckler, Iraq Mesopotamia, Mesopotamia Babylon, Shield
Sumerian bowl, 6000 BCE - Note the swastika in the middle of the plate it's so amazing these artifacts were able to be found
Great Mothers of the Stone Age, dating from 28,000 to 15,000 BCE
Goddesses Venus, Mothers Goddesses, Goddesses Sculpture, Goddesses Cult, Stones Age, 23 Goddesses, 15 000 Bce, Venus Figurines, Ancient Art
Mothers Goddess figure of the Stone Age - dating from 28,000 to 15,000 BCE
Goddess Venus figurines dating from 28.000 - 15.000 B.C.
23 Goddess sculptures from the Stone Age. pic.twitter.com/cNvM94hckU
The Goddess Cult Venus figurines dating from 28.000 - 15.000 B.C.
The Grimaldi Venus. Steatite figure. Palaeolithic (25th mill. BCE) Perigourdien Superieur. Height 4.5 cm Musee des Antiquites Nationales, St-Germain-en-Laye, France
Paleolith, 25Th Mills, Perigourdien Superieur, Palaeolith 25Th, Astronaut Photo, Grimaldi Venus, Photo Galleries, Steatit Figures
Ancient Astronauts Photo Gallery
♔ Inlay depicting enthroned god Shepsi
God Shepsi, Enthron God, Egyptian Artifact, A Egyptian, Egyptian Heart, Egyptian Domination, Egyptian Antiques, Egyptian Sculpture, Ancient Egyptian
Inlay depicting enthroned god Shepsi Period: Late Period–Ptolemaic Period Date: 4th century B.C. Geography: Country of Origin Egypt, Middle Egypt, Hermopolis (el-Ashmunein)
A ritual rattle, called a sistrum, was played by temple singers in ancient Egypt. It is decorated with the head of the goddess Hathor, who was known as the Lady of Music. 3rd-1st centuries B.C
3Rd 1St Century, Egypt Kemet History Mythology, Things Egyptian, Ancient Egypt, Art Antiquities Artifact, Temples Singers, Egypt Artifact, Ancient 3D, Egyptian Object
Gilded head of Mithras from a Roman mythraeum. The Mithraic mysteries were open to slaves and freedmen, and at some cult sites most or all votive offerings are made by slaves, sometimes for the sake of their masters' wellbeing. The cult of Mithras, which valued submission to authority and promotion through a hierarchy, was in harmony with the structure of Roman society, and thus the participation of slaves posed no threat to social order. From the Mithraeum at S. Stephano Rotondo / Castra Peregrinorum.
Gilded head of Mithras from a Roman mythraeum. The Mithraic mysteries were open to slaves and freedmen, and at some cult sites most or all votive offerings are made by slaves, sometimes for the sake of their masters' wellbeing. The cult of Mithras, which valued submission to authority and promotion through a hierarchy, was in harmony with the structure of Roman society, and thus the participation of slaves posed no threat to social order.
Kneeling Bull holding a Spouted Vessel. Silver. Southwestern Iran. ca. 3100-2900 BCE.
Bull Hold, Kneel Bull, Southwestern Iran, Protoelamit, Art History, Proto Elamit, Metropolitan Museums, Spout Vessel, Ancient Art
Kneeling bull holding a spouted vessel [Southwestern Iran] (66.173) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Kneeling bull holding a spouted vessel. Proto-Elamite; ca. 3100–2900 BCE, Southwestern Iran #ancient art #art
Kneeling Bull holding a spouted vessel 3100-2900 BC Proto Elamite Soon after the political transformations of the Uruk period in southern Mesopotamia, similar innovations—including writing and cylinder seals, the mass production of standardized ceramics, and a figural art style—developed around the city of Susa in southwestern Iran, an area in which the predominant language was Elamite. While most of these innovations were adapted from Mesopotamian examples, they all took on distinctive ...
Mummies in Germany…
Creepy True Stories, Buried Alive, Creepy Stories True, Assort Oddities, Odd Things, Creepy Things, Creepy Shit, Macabre History, Crazy Shit
Arm Reliquary of Charlemagne (Charles the Great), 1481 in the Aachen Cathedral (Aachener Dom) Treasury - Aachen Germany. The bones of Charlemagne's right forearm are contained in this arresting reliquary made in 1481 AD.
Aachen Cathedrals, Cathedrals Treasuri, Aachen Dom, Aachen Germany, Arm Reliquari, Cathedrals Aachen, Arrested Reliquari, 1481 Ads, Charlemagn Charles
Arm Reliquary of Charlemagne (Charles the Great), in the Aachen Cathedral Treasury - Aachen Germany. The bones of Charlemagne's right forearm are contained in this arresting reliquary made in 1481 AD.
Carvings Spoons, Vikings Spoons, Nordic Spoons, Woods Carvings, Vikings Utensils, Vikings Woodworking, Scandinavian Style, Carvings Wooden, Wooden Spoons
Carved wooden spoons
Archery and Wood Carving
Collection of Viking spoons and woodworks
AN EGYPTIAN AMETHYST BEAD MIDDLE KINGDOM, Dynasty XI-XIV, 2040-1640 B.C. In the form of a hippopotamus, reclining on its left side with the legs turned out, its head raised, perforated horizontally for suspension 1 1/8 in. (2.9 cm.) long
Amethysts Beads, Egyptian Amethysts, Beads Middle, 2040 1640 B C, Form, Ancient Egypt, Middle Kingdom, Dynasty Xi Xiv, Legs Turning
AN EGYPTIAN AMETHYST BEAD MIDDLE KINGDOM, Dynasty XI-XIV, 2040-1640 B.C. In the form of a hippopotamus, reclining on its left side with the legs turned out, its head raised, perforated horizontally for suspension 1 1/8 in. (2.9 cm.) long. (Example of similar types of artifacts discovered in Queen Maát's tomb, a tomb referenced in the fictional fantasy book series 'The House of Thoth', written by LA Edwards)
Sistre de Henouttaouy. Période : troisième période intermédiaire (vers 1069-664 av J.-C.). Lieu de découverte : Egypte (origine). Paris, musée du Louvre
History, Paris, Egyptian, Ancient Egypt, Hair, Photo
Sistrum Henuttawy. Third Intermediate Period (1069-664 BC to AD). Lieu de découverte : Egypte (origine). Handle detail: head of Hathor. Paris, musée du Louvre. Photo (C) RMN-Grand Palais / Hervé Lewandowski Hathor was the goddess of birth and labor. She is shown flanked by a cobra on each side, crowned with the white crown of Upper Egypt, The snakes mean eternal life, The small circles represent the sun, also the symbol of eternal life. Spirals in Hathor's hair birth, death and rebirth.
Limestone male figure - last quarter of the 6th century B.C.
Archaic, Male Figures, Dates, Cypriot Medium, Limestone Male, 6Th Century, Century B C, Culture, Ancient Civil
Limestone male figure Period: Archaic Date: last quarter of the 6th century B.C. Culture: Cypriot Medium: Limestone
--δ-Θ-Φ-Ω-- Egypt, 2030-1802 BC. Wood, mud beads, linen string, paint. This paddle "doll" may have been an accoutrement of troops of singers and dancers who performed at religious ceremonies associated with the goddess Hathor. It would have been used as a percussion instrument, to appease the diety with its sound.
Paddle Doll, Egypt, 2030–1802 B.C. The so-called paddle doll consists of a flat piece of wood depicting the torso, rudimentary arms and neck of a woman, with a thick shock of "hair" made of beads strung on linen thread. The body is often painted with jewelry, textile patterns or tattoos. Contrary to their name, these "dolls" were not toys. The key-hole shape of the body is similar to the counterpoise of the menat necklaces that were used as percussion instruments during religious ceremonies.
Paddles Dolls, Textile Patterns, Linens Thread, Flats Pieces, Menat Necklaces, Beads Strung, Percussion Instruments, Textiles Patterns, Linens String
Wood, mud, linen, string, paint, 2030-1802 BC percussion instrument The so-called paddle doll consists of a flat piece of wood depicting the torso, rudimentary arms and neck of a woman, with a thick shock of "hair" made of beads strung on linen thread.
Menat of Taharqo, Late Period, Dynasty 25, reign of Taharqo, ca. 690–664 b.c. This faience menat represents part of a heavy necklace carried in ritual scenes. Menat was Egyptian artifact which, like the sistrum, was closely connected with the goddess Hathor. It was held in the hand by its counterpoise and used as a rattle by Hathor's priestesses. Often it was worn as a protective amulet, even by Apis bulls, the sons of Hathor.
Menat of Taharqo, Late Period, Dynasty 25, reign of Taharqo, ca. 690–664 b.c. This faience menat represents part of a heavy necklace carried in ritual scenes.
Work Of Art, Egyptian Faienc, Ancient Egyptian Art, Egyptian Necklaces, Art History, Metropolitan Museums, Ancient Art, Ancient Civil, Ancientegypt
egyptian necklace carried in ritual scenes.
Menat of Taharqo, Late Period, Dynasty 25, reign of Taharqo, ca. 690–664 b.c. Egyptian Faience
Menat of Taharqo [Egyptian] (41.160.104) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
The Nampa Doll is a clay doll discovered in Nampa, Idaho. It measures 1-1/2 inches in length and was brought up by a well drill from a depth of 300 feet. The strata at this depth is dated at about 2 million years old. This figurine was found under several different strata including 15 feet of lava basalt. Also from this depth were brought up many small clay balls. The presence of iron on the surface of the figurine indicates that it is of ancient origin and could not have been hoaxed.
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20 History Questions They Refuse To Answer In School
Roman folding pocketknife, 50CE
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Roman Razor Pocket Knife 50AD
Roman folding pocket knife 50CE
Roman folding pocketknife, 50 CE
Scaraboid gem with a statue of Athena (the Palladion) - Greek, Classical Period, 400–350 B.C.
Ancient Jewelry, Artifact, Amazing Athena, Engraving Gems, Athena Minerva, Ancient Gems, Cameo, 400 350, Scaraboid Gems
Scaraboid gem with a statue of Athena the Palladion - from Greek classical period, circa 400-350 BC - at the Museum Fine Art, Boston https://www.pinterest.com/pin/463941199089954434/
EARLY NEOLITHIC - Seated Mother Goddess, c. 6500. Çatal Höyük, Turkey.
Beast Goddesses, Mothers Goddesses, Catalhuyuk, Clay Ancient Goddesses, Goddesses Sculpture, Catal Huyuk, Agriculture Cities, Births, Seats Mothers
EARLY NEOLITHIC - Seated Mother , Lady of the beast Goddess, c. 6500. Çatal Höyük, Turkey.
Catal Huyuk, Seated Mother Goddess Catal Huyuk, Catalhuyuk was an ancient Neolithic agricultural city in the Anatolia region of Turkey. It is the oldest settlement ever uncovered, dating from 7000—6000BC. She had numerous shrines, filled with small Goddess figurines, among them this seated Goddess. She sits in a throne, hands resting on her lioness or leopard companions, who were sacred to the Mother Goddess She is apparently in the act of giving birth, radiating calm and a regal posture.
Seated Mother Goddess Sculpture, clay, Çatal Höyük, Turkey, ca. 6500 BCE.
Antonia Minor. Silver Denarius (3.85 g), Augusta, AD 37 and 41. Rome, under Claudius, ca. AD 41-45. ANTONIA AVGVSTA, draped bust of Antonia right, hair tied in short queue at back of neck, wreathed with grain ears. Reverse : CONSTANTIAE AVGVSTI, Antonia, as Constantia, standing facing, holding long torch and cornucopiae. RIC 66; BMC 111; RSC 2. Goldberg Coins and Collectibles