Adams recognized that composing photographs in color is different from black and white and allowed that "some of us instinctively 'see' better in color" (Mono Lake, White Branches and Clouds, California, 1947). (Excerpted from the book Ansel Adams in Color. Copyright © 1993, 2009 by Trustees of The Ansel Adams Publishing Rights Trust. Reprinted with permission of Little, Brown and Company)

Adams recognized that composing photographs in color is different from black and white and allowed that "some of us instinctively 'see' better in color" (Mono Lake, White Branches and Clouds, California, 1947). (Excerpted from the book Ansel Adams in Color. Copyright © 1993, 2009 by Trustees of The Ansel Adams Publishing Rights Trust. Reprinted with permission of Little, Brown and Company)

Philadelphia Museum of Art - Collections Object : Monolith, The Face of Half Dome, Yosemite Valley, California

Philadelphia Museum of Art - Collections Object : Monolith, The Face of Half Dome, Yosemite Valley, California

ADAMS, ANSEL (1902-1984) 'From Hurricane Hill, Olympic National Park, Washington.'

ADAMS, ANSEL (1902-1984) 'From Hurricane Hill, Olympic National Park, Washington.'

Close-Up Photograph of Boulder Dam | photographer: Ansel Adams, Ansel Adams Photographs of National Parks and Monuments, documenting the period ca. 1933 – 1942 (pinned by haw-creek.com)

Close-Up Photograph of Boulder Dam | photographer: Ansel Adams, Ansel Adams Photographs of National Parks and Monuments, documenting the period ca. 1933 – 1942 (pinned by haw-creek.com)

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