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Wim Crouwel - Jan van der Vaart 1975

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Colourful Universe #2 Availalbe in 3 sizes. Printed on museum-quality, 100% cotton rag, Canson Rag Photographique 310 GSM paper with Epson UltraChrome HDR inks. Custom trimmed with a 1” border.

I like the concept of leaving 3/4 of the poster the neon yellow Festival Bo:m 2012: Poster

Sleepless Man - Marius Roosendaal—MSCED '11

#muirmcneil

IBM - Smarter Planet - The tools of collaboration vs the tools of distraction.

modern graphic pattern - Google Search

cool typography poster designs - Google Search

Heavy Metal

#design... - a grouped images picture - Pin Them All

Jazzdor, it's the Strasbourg Jazz festival. The French agency "Helmo" has designed a #brochure, #posters and program in 3 colors. An identity really nice and interesting | Creativeideas.today

THE-OUTPOST

Despite the simple grid and amount of information the use of hierarchy helps navigate through the editorial piece efficiently.

This is a journal in which uses the CRAP principles throughout the layout including the contrast between the title type and main body text. Repetiton can include the use of a header on top of every page, the black rule on top of pages containing type. The alignment of the text is mainly aligned to the left except for the front cover and photographic page spread. There's a good use of proximity and utilisation of white space making everything easily read.

Prism Bear Print

In The Land Of No Right Angles book cover {designer: abby weintraub}

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Typographic Posters by Anthony Neil Dart with quotes by Massimo Vignelli

swissted is an ongoing project by graphic designer mike joyce. drawing from his love of punk rock and swiss modernism, two movements that have (almost) nothing to do with one another, mike has redesigned vintage punk, hardcore, new wave, and indie rock show flyers into international typographic style posters. each design is set in lowercase berthold akzidenz-grotesk medium (not helvetica).

Typographic Poster Design by Anthony Neil Dart with quotes by Massimo Vignelli

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We speak of concrete and not abstract, because nothing is more... - but does it float