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The Beggar Who Professed His Love for a Prince: Folio from the Mantiq al-tair (Language of the Birds) of Farid al-Din Attar, dated A.H. 892 / A.D. 1487. Afghanistan. The Metropolitan Museum of Art, New York. Fletcher Fund, 1963 (63.210.28)

"Muhammad Ascends to Heaven in a Vision on Buraq", Folio from a Yusuf and Zulaikha of Jami Maulana Nur al-Din `Abd al-Rahman Jami (1414–92) Date: second half 16th century Geography: Iran, Shiraz Medium: Opaque watercolor and gold on paper Dimensions: H. 9 in.. (22.9 cm) W. 5 1/4 in. (13.3 cm) Metropolitan Museum of Art

Young Lovers Embracing, 16th century. Iran, Qazvin. The Metropolitan Museum of Art, New York. Purchase, Elizabeth S. Ettinghausen Gift, in memory of Richard Ettinghausen, 1990 (1990.51)

Illuminated Double Page of a Yusuf and Zulaikha of Jami Maulana Nur al-Din `Abd al-Rahman Jami (1414–92) Object Name: Illustrated manuscript Date: ca. 1580 Geography: Iran, Shiraz Medium: Ink, opaque watercolor, and gold on paper Dimensions: 10 x 5 3/4in. (25.4 x 14.6cm) Classification: Codices Credit Line: Gift of Alexander Smith Cochran, 1913

"The Great Abu Sa'ud Teaching Law", Folio from a Divan of Mahmud `Abd-al Baqi Mahmud 'Abd-al Baqi (1526–1600)

الله قل وذر الوجود وما حوى ان كنت مُرتاداً بلـوغ الكمـال فالكل دون الله ان حققتـه عـدم علـى التفصيـل والاجمـال

AN INTACT KASHAN POTTERY ALBARELLO CENTRAL IRAN, 12TH CENTURY Of typical form with slightly flaring walls on short ring foot, with short neck and rounded lip, the decoration with cobalt-blue lines on white ground, with old inventory number to foot

Marriage contract [Iran] (1979.518.5a-q) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

Etsyfrom Etsy

Print of black and white Tangle Fish pen and ink drawing

ღღ Tangle Fish pen and ink drawing. , via Etsy.

Etsyfrom Etsy

Watercolor card, (No. 73), Zentangle art card, Zentangle Hamsa Hand, Hamsa Hand, Hamsa, Zentangle, greeting card, original art

Watercolor card - Zentangle Hamsa Hand, Etsy

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz. The folios of this highly treasured fifteenth‑century manuscript were remounted in the sixteenth century within colorful margin papers beautifully painted with diverse scenes in silver and gold.