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Spencer Frederick Gore. The Beanfield, Letchworth. 1912. One of Gore’s most stylised paintings, it uses flat and vivid colour to abbreviate form and give distinctive angular patterns to the landscape, especially in the foreground zig-zag bordering the field of beans behind. (Tate) For a Gallery Talk about it http://www.youtube.com/watch?v=AKird0glR4E

Spencer Frederick Gore. The Beanfield, Letchworth. 1912. One of Gore’s most stylised paintings, it uses flat and vivid colour to abbreviate form and give distinctive angular patterns to the landscape, especially in the foreground zig-zag bordering the field of beans behind. (Tate) For a Gallery Talk about it http://www.youtube.com/watch?v=AKird0glR4E

These new images by British photographer Jim Stephenson offer a look around Herzog & de Meuron's extension to Tate Modern in London

These new images by British photographer Jim Stephenson offer a look around Herzog & de Meuron's extension to Tate Modern in London

With two tiers of white glass accompanied by a gold finish, the White Glass Accent Table is perfect for serving your guest or as a side table to display all your decorative trinkets and accessories.  Find the White Glass Accent Table, as seen in the The Great American Novel Collection at http://dotandbo.com/collections/the-great-american-novel?utm_source=pinterest&utm_medium=organic&db_sku=95585

With two tiers of white glass accompanied by a gold finish, the White Glass Accent Table is perfect for serving your guest or as a side table to display all your decorative trinkets and accessories. Find the White Glass Accent Table, as seen in the The Great American Novel Collection at http://dotandbo.com/collections/the-great-american-novel?utm_source=pinterest&utm_medium=organic&db_sku=95585

Landscape between Two Buildings by Reg Cartwright

Landscape between Two Buildings by Reg Cartwright

John Minton (English, 1917-1957), Landscape and Windmill, 1945. Oil on canvas, 56.5 x 76.5 cm. Aberdeen Art Gallery.

John Minton (English, 1917-1957), Landscape and Windmill, 1945. Oil on canvas, 56.5 x 76.5 cm. Aberdeen Art Gallery.

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