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Installation art - Installation as nomenclature for a specific form of art came into use fairly recently; its first use as documented by the Oxford English Dictionary was in 1969.

Installation art - Installation as nomenclature for a specific form of art came into use fairly recently; its first use as documented by the Oxford English Dictionary was in 1969.

Morris Louis, Where, 252 x 362 cm. magna on canvas, 1960, Hirshhorn Museum and Sculpture Garden. Louis was a prominent artist in the Post-Painterly Abstraction exhibition.

Morris Louis, Where, 252 x 362 cm. magna on canvas, 1960, Hirshhorn Museum and Sculpture Garden. Louis was a prominent artist in the Post-Painterly Abstraction exhibition.

Nouveau réalisme refers to an artistic movement founded in 1960 by the art critic Pierre Restany and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Pierre Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960, proclaiming, "Nouveau Réalisme—new ways of perceiving the real." This joint declaration was signed on 27 October 1960, in Yves Klein's workshop, by nine people

Nouveau réalisme refers to an artistic movement founded in 1960 by the art critic Pierre Restany and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Pierre Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960, proclaiming, "Nouveau Réalisme—new ways of perceiving the real." This joint declaration was signed on 27 October 1960, in Yves Klein's workshop, by nine people

Lichtenstein used oil and Magna (early acrylic) paint in his best known works Drowning Girl (1963). On display at the Museum of Modern Art, New York

Lichtenstein used oil and Magna (early acrylic) paint in his best known works Drowning Girl (1963). On display at the Museum of Modern Art, New York

Kenneth Noland, Bridge, 1964, notable example of Post-painterly Abstraction selected by Greenberg for the exhibition.

Kenneth Noland, Bridge, 1964, notable example of Post-painterly Abstraction selected by Greenberg for the exhibition.

φóβος  phobia  foe be a  in the inverted inflection,  be a foe?    What if the Other is a thing of rhetoric?  One which lives entirely in language,  infecting our wills.    Would it disappear from our conscious fears?  or simply, a confirmation bias -- the problem of induction

φóβος phobia foe be a in the inverted inflection, be a foe? What if the Other is a thing of rhetoric? One which lives entirely in language, infecting our wills. Would it disappear from our conscious fears? or simply, a confirmation bias -- the problem of induction

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