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Myth and the Movies: Discovering the Mythic Structure of 50 Unforgettable Films

Myth and the Movies: Discovering the Mythic Structure of 50 Unforgettable Films

Saul Bass storyboards for Psycho.  If you haven't yet - watch this movie and study the simple story telling and build up of suspense.

Saul Bass storyboards for Psycho. If you haven't yet - watch this movie and study the simple story telling and build up of suspense.

The World is Flat~ Thomas L. Friedman...globalization and the technologies making this so; as well as impacts

The World is Flat~ Thomas L. Friedman...globalization and the technologies making this so; as well as impacts

Maria llena eres de gracia (Maria Full Of Grace) Another amazing film by Joshua Martson!!

Maria llena eres de gracia (Maria Full Of Grace) Another amazing film by Joshua Martson!!

"One of the most attractive features of Galt's book is her ability to corral so many different iterations of art and film criticism and provide so many examples from world cinema, effecting in the end a general theory of world cinema, of a pretty world cinema." — Akira Mizuta Lippit, University of Southern California

Pretty

"One of the most attractive features of Galt's book is her ability to corral so many different iterations of art and film criticism and provide so many examples from world cinema, effecting in the end a general theory of world cinema, of a pretty world cinema." — Akira Mizuta Lippit, University of Southern California

Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010).

The Cinema of Raúl Ruiz

Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010).

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