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Catherine Deneuve in Repulsion (1965, dir. Roman Polanski) (via) “My aim was to show Carole’s hallucinations through the eye of the camera, augmenting their impact by using wide-angle lenses of progressively increasing scope. But in itself, that wasn’t sufficient for my purpose. I also wanted to alter the actual dimensions of the apartment — to expand the rooms and passages and push back the walls so that audiences could experience the full effect of Carole’s distorted vi

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Pascal Lamorisse in The Red Balloon (1956, dir. Albert Lamorisse) (via)

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Spencer Tracy in Dr. Jekyll and Mr. Hyde (1941, dir. Victor Fleming)

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Louise Brooks in a publicity still for The Canary Murder Case (1929, dir. Malcolm St. Clair) (via)