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Otto Dix was a German artist, painter and print maker. His depictions of mechanized warfare and post-war Berlin continue to shape our impressions of the Great War and Weimar society. Along with George Grosz, Dix was one of the more important figures in New Objectivity. This is his painting, "The Skat Players" which showcases the grotesque disformities caused by WWI.

Straßen und Gesichter 1918-1933 Beckmann, Chas-Laborde, Otto Dix, Dolbin, Lilo Friedlaender, George Grosz ..

George Grosz

George Grosz: The Way of all Flesh

Grosz, George - People

George Grosz, "Attack," 1915

"NYC. Manhattan, 1934 // George Grosz"

George Grosz, "Ein Abend in Berlin"

George Grosz (1893 Berlin - 1959 Berlin), Spaziergänger. (Um 1930.) "Watercolor and pen drawing in brown. Signed lower right. Titled on verso by a hand other than that of the artist. On firm wove paper by PM Fabriano (with watermark). 60 x 47,7 cm (23,6 x 18,7 in), size of sheet. The work depicts the artist, his wife and her sister." [attribution from Ketterkunst.com]

"Art Review: What George Grosz’s Dallas Trip In 1952 Continues To Say About Our City" via FrontRow.DMagazin...

"Flower of the Prairie: George Grosz in Dallas at the Dallas Museum of Art" via GlassTire.com

For what? | George Grosz

The Human Beast exhibition poster. George Grosz, "Broadway" www.sdmart.org/store

Il Sopravissuta by George Grosz

George Grosz: The Agitator 1928

George Grosz - The Painter of the Hole (1948)

Berlin Street, 1931 George Grosz (American, born Germany, 1893–1959)

"The Pillars of Society" George Grosz

George Grosz, Mit Pinsel und Schere. 7 Materialisationen. Folge von 7 Tafeln. Berlin, Malik 1922.

George Grosz drawing- Weimar republic age

Sonniges Land. Illustrated by George Grosz. Berlin: Paul Cassirer, 1920

The artist

George Grosz, The Poet Max Herrmann-Neisse, 1927

George Grosz, Café (1919)

A Little Yes and a Big No: The Autobiography of George Grosz.