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    Unlike weavers who would incorporate their initials in the tapestry, the cartoniers did not sign their work and thus remain anonymous artists. The few clues to their identity consist of hurried notes over borders or on motifs – a note, a name or the number of a color. The life of an 19th century cartoon was not an easy one. Although we now consider them works of art in their own right, they were originally working patterns for tapestries and treated as such.

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    Chrysanthemums, 1897. Claude Monet (French, 1840-1926). Oil on canvas; 130 x 89 cm. Private collection. via Can we borrow your Monet? How the Cleveland Museum of Art built its fall blockbuster (photos) |