Yasuaki Onishi once said in a statement describing his work:    I am interested in the visible and the invisible thing. Through my art work, I get information from the space and leave clues on the space. Form, color and movement is changed to the simple element, like points, lines and lights.

Yasuaki Onishi once said in a statement describing his work: I am interested in the visible and the invisible thing. Through my art work, I get information from the space and leave clues on the space. Form, color and movement is changed to the simple element, like points, lines and lights.

"reverse of volume rg"~Onishi Yasuaki

'Reverse of Volume RG' Installation / Onishi Yasuaki

blanc | white | bianco | 白 | belyj | gwyn | color | texture | form | Tokujin Yoshioka

blanc | white | bianco | 白 | belyj | gwyn | color | texture | form | Tokujin Yoshioka

Camille Corot (French, Paris 1796–1875 Paris ). Boatman among the Reeds, ca. 1865. The Metropolitan Museum of Art, New York. The Friedsam Collection, Bequest of Michael Friedsam, 1931(32.100.136) | This work is exhibited in the “Unfinished: Thoughts Left Invisible” exhibition, on view through September 4th, 2016. #MetBreuer

Camille Corot (French, Paris 1796–1875 Paris ). Boatman among the Reeds, ca. 1865. The Metropolitan Museum of Art, New York. The Friedsam Collection, Bequest of Michael Friedsam, 1931(32.100.136) | This work is exhibited in the “Unfinished: Thoughts Left Invisible” exhibition, on view through September 4th, 2016. #MetBreuer

White Dots Columns by oxoxo | Seven triangular prisms with punched plastic boards are installed in the room. If you walk around the room, the patterns change dynamically

White Dots Columns by oxoxo | Seven triangular prisms with punched plastic boards are installed in the room. If you walk around the room, the patterns change dynamically

yasuaki onishi unites rope, glue and crystals for vertical emptiness

yasuaki onishi unites rope, glue and crystals for vertical emptiness

.:* L - In his installation, reverse of volume RG, Yasuaki Onishi uses the simplest materials - plastic sheeting and black hot glue - to create a monumental, mountainous form that appears to float in space. The process that he calls “casting the invisible” involves draping the plastic sheeting over stacked cardboard boxes, which are then removed to leave only their impressions. This process of reversing sculpture is Onishi’s meditation on the nature of the negative space, or void, left…

.:* L - In his installation, reverse of volume RG, Yasuaki Onishi uses the simplest materials - plastic sheeting and black hot glue - to create a monumental, mountainous form that appears to float in space. The process that he calls “casting the invisible” involves draping the plastic sheeting over stacked cardboard boxes, which are then removed to leave only their impressions. This process of reversing sculpture is Onishi’s meditation on the nature of the negative space, or void, left…

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