Bazille and Camille (study for Déjeuner sur l’herbe), is a painted study for the final painting. Camille has been very nearly transposed from the chalk drawing into this oil but there does seem to be an interaction between the two figures. Notice how the dappled, light-green leaves in the upper right-hand corner interact with the dark, lacy branches in the bottom left. The overall effect of the painting is one of freshness and light, despite the large areas of very dark shading.
Claude Monet: (14 November 1840—5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise
An Afternoon with Monet “It took me sometime to understand my water lilies. I had planted them for pleasure and cultivated them without thinking of painting them. A landscape does not sink into you all at once. And then suddenly, I had a revelation of the magic of my pond. I took up my palette. Since then I have hardly had another subject.” ~ Claude Monet to writer Mark Elder, 1920s via Majorlight
Claude Monet (French, 1840–1926). The Stroller (Suzanne Hoschedé, later Mrs. Theodore Earl Butler, 1868–1899), 1887. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002 (2003.20.7)
Monet painted five views of the Parc Monceau: three in 1876 and two in 1878. In this canvas, the disposition of light and shade in the foreground, the patterns of the leaves, and the broad contours beginning to develop in areas of strong contrast suggest that Monet had already begun to experiment with the boldly two-dimensional motifs that would characterize his work of the 1880s and 1890s.