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Bruce Holwerda’s Daybreak  This just looks like utter freedom.  Like she finally jumped. Deliberate, not reckless abandon.

Bruce Holwerda’s Daybreak This just looks like utter freedom. Like she finally jumped. Deliberate, not reckless abandon.

Vanishing (Carole Brémaud); They faces are distorted and blank, giving the figures within the portraits/paintings a sense of anonymity and emotionless. This is a technique I will surely use within my work by using self portraits or portraits of loved ones yet using more intense colour and shapes to create an expressionist piece.

Vanishing (Carole Brémaud); They faces are distorted and blank, giving the figures within the portraits/paintings a sense of anonymity and emotionless. This is a technique I will surely use within my work by using self portraits or portraits of loved ones yet using more intense colour and shapes to create an expressionist piece.

"Looking In" by Jennifer Drummond Ferris; Mixed Media ~ 30" x 24"; $695  © 2012 Jennifer Drummond Ferris

"Looking In" by Jennifer Drummond Ferris; Mixed Media ~ 30" x 24"; $695 © 2012 Jennifer Drummond Ferris

"Headed for Adventure" acrylic painting over a textured surface created using recycled materials such as fabric scraps, ground-up wine corks, and torn palette papers.  This painting is a tryptic and is painted on 3 separate canvases, each measuring 36"h X 12"w.

"Headed for Adventure" acrylic painting over a textured surface created using recycled materials such as fabric scraps, ground-up wine corks, and torn palette papers. This painting is a tryptic and is painted on 3 separate canvases, each measuring 36"h X 12"w.

Saatchi Online Artist KwangHo Shin; Painting, "[24] untitled oil & charcoal on canvas 72.5 x 50 2013" #art

Saatchi Online Artist KwangHo Shin; Painting, "[24] untitled oil & charcoal on canvas 72.5 x 50 2013" #art

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